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What was it like at the opening night of Mozart’s Don Giovanni or Wagner’s Das Rheingold? This glittering introduction to the world of opera takes us behind the scenes during premiere performances of five extraordinary operas.
"A rare and wonderful cultural history."—Philip Kennicott, Washington Post
“An absorbing tangle of minutiae about performing circumstances, personalities, conventions, expectations, critical responses, gossip. . . . This book is readable. Addictively.”—Michael White, Opera Now
“This thoroughly enjoyable and informative book will delight all opera lovers; highly recommended.”—Library Journal
- Sales Rank: #674424 in Books
- Published on: 2006-05-28
- Original language: English
- Number of items: 1
- Dimensions: 9.76" h x .97" w x 6.76" l, 1.63 pounds
- Binding: Paperback
- 464 pages
Review
"This thoroughly enjoyable and informative book will delight all opera lovers; highly recommended."--"Library Journal
About the Author
Thomas Forrest Kelly is Morton B. Knafel Professor of Music at Harvard University.
Most helpful customer reviews
20 of 21 people found the following review helpful.
Almost Like Being at the Premiere
By Timothy Kearney
Thomas Kelly's FIRST NIGHTS AT THE OPERA is bound to be loved by opera aficionados as well as people just beginning to be fascinated with a musical form that is both intricate and beautiful. Kelly selects five operas: Handel's Gulio Cesare, Mozart's DON GIOVANNI, Mayerbeer's LES HUGUENOTS, Wagner's DAS RHEINGOLD, and Verdi's OTELLO, and brings the readers to their premieres. Kelly gives us information about each composer, the story of the works themselves, a history of how each work was composed and the difficulties surrounding each production, the effect that each work had on the musical world of its day and how the work is still relevant today. We also get a good deal of information of the performance itself, those who sang the principal roles, the conductors, impresarios, and anyone else involved in the production. Much of Kelly's information is not unique to his book, though his presentation is original and his inclusion of interesting graphics and a number of relevant historical documents regarding each work make this work an invaluable resource. His writing style makes the subject approachable, something not all authors who attempt to write about opera can claim.
As I read the book, I began to long for December and the beginning of live opera broadcasts from the stage of the Met. The in depth analysis of each work presented in a user friendly format made reminded me of the intermission features which are presented during the radio broadcasts from New York's Metropolitan Opera House. These broadcasts introduced me to the world of opera and Kelly's book reminds me why I love this form of music so much.
If you love opera, you owe it to yourself to add this book to your collection. If someone you love enjoys opera, this book will be the perfect gift that will be enjoyed for years to come.
6 of 8 people found the following review helpful.
A terrific book for opera lovers
By Stanley Hauer
This is a simply marvelous book: well written, interesting, and informative. Prof. Kelly is that rara avis, an academic who can write. I highly recommend this book to the operatic newcomer and professional alike.
1 of 1 people found the following review helpful.
Interesting!
By Sally Lumpkins
This was a class requirement for me in 3rd year classes for
a Bachelor's degree in music - written like a novel but real
events so was both enlightening and enjoyable.
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