Library: April 2013

Senin, 29 April 2013

[X348.Ebook] Download PDF Cancer Survival Guide: How to Conquer this Disease and Live a Good Life (The DaVinci Guides), by Charlotte Libov

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When faced with cancer, timely and educated healthcare decisions are crucial to recovery. Put the odds in your favor with the help of Cancer Survival Guide — the leading manual of its kind, offering the most comprehensive and cutting-edge information on the subject, such as:

• The causes and hidden symptoms of cancer
• How cancer affects the body
• How to choose the right doctor
• Creating a personal healthcare record
• Conventional and alternative treatments
• Physical and emotional coping strategies
• How to navigate life after cancer

Don’t let a cancer diagnosis fill you with feelings of fear, panic, and helplessness. Take back your power with Cancer Survival Guide.

Sales Rank: #266806 in Books
Published on: 2016-02-16
Original language: English
Number of items: 1
Dimensions: 9.90" h x .80" w x 6.90" l, .0 pounds
Binding: Paperback
304 pages

Review

"The ultimate resource for anyone worried about cancer."
—Newsmax

From the Back Cover

When faced with cancer, timely and educated healthcare decisions are crucial to recovery. Put the odds in your favor with the help of DaVinci's Cancer Survival Guide the leading manual of its kind, offering the most comprehensive and cutting-edge information on the subject such as: The causes and symptoms of cancer How cancer affects the body The major forms of cancer How to choose the right doctor Creating a personal healthcare record Conventional and alternative treatments Physical and emotional coping strategies How to navigate life after cancer

Don't let a cancer diagnosis fill you with feelings of fear, panic, and helplessness. Take back your power with DaVinci's Cancer Survival Guide."

About the Author
Charlotte Libov: Charlotte Libov (Miami Beach, FL) is an award-winning health book author and a pioneer in the field of patient advocacy. Her initial book, The Women’s Heart Book, was among the first to call attention to the problem of heart disease in women, and was made into a groundbreaking PBS special, in which she appeared as part of an expert panel. A popular speaker, Libov has given talks for Toyota, IBM, and the Biotech International Organization, and has appeared as a keynote speaker for the US Army War College, the American Heart Association, Duke University Medical School, Women in International Trade, and at other hospitals and organizations throughout the country. Her byline has appeared regularly in Newsmax Magazine, NewsmaxHealth.com, WebMD. com, RevolutionHealth.org, CURE.org, AARP.org, GoodHousekeeping.com, and HuffingtonPost.com, as well as many other top websites and publications. She was formerly a regular contributor to The New York Times.

Most helpful customer reviews

2 of 2 people found the following review helpful.
This is an amazingly thorough (and essential) resource for anyone touched by Cancer - Kudos to author Charlotte Libov!
By Amazon Customer
I am so thrilled that Charlotte Libov has written this much-needed clear, concise "how to" manual for cancer survivors and their families. As a Mental Health professional, I know that the first reactions people have when they hear the word 'cancer' are panic and fear. In addition to the obvious life and death concerns, two of the big reasons for this are that the amount of information out there can be very overwhelming...and the available information is often contradictory and confusing. Libov's "Cancer Survival Guide" is an antidote to this confusion, presenting each topic area in a very well-organized and user-friendly fashion, and artfully straddling the line between being simple enough for the average person to easily digest while also providing enough depth of information to be truly useful. Libov manages to do all of the above, and in a no-nonsense, practical and hopeful way. Both professionally and personally, I see this as a crucial piece of the puzzle that has long been missing for many, and is now available. For this, I say "Thank You" Charlotte Libov!

2 of 2 people found the following review helpful.
CANCER SURVIVAL GUIDE is a must read for anyone with an interest in the fight against cancer
By Daniel Christopher Collins
I've had the good fortune to work with writer Charlotte Libov for years now and was very pleased at the opportunity to play a role, however small, in making CANCER SURVIVAL GUIDE a reality given the participation of several experts that I represent as the media relations representative for Mercy Medical Center in Baltimore, MD. For the past 20 years, I've worked at Mercy, trying to bring important information about medical breakthroughs in diagnosis and treatment of all manner of illness; a wonderful, easy to ready, easy to use guide like Ms. Libov's is now another tool we have to help educate people about how they, when it comes to cancer, can "conquer it and live a good life," as the cover notes! The book is comprehensive, examining 13 of the most common cancers, with everything from details about the latest breakthroughs to information about new genetic tests and how to "find the best treatments and doctors." Truly a great guide.

2 of 2 people found the following review helpful.
Well organized and informative!
By Amazon Customer
As a breast cancer survivor, I found this book informative, user friendly, and thorough. Everything is broken down into specific categories with countless helpful ideas for those suffering and for those whose loved ones are suffering. Part of the title, "How to Conquer it (cancer) and Live a Good Life" is spot on. In short, the old adage, "knowledge is power," says it all. Clearly, the author (Charlotte Libov) did her homework and imparts her knowledge in a concise, practical text, while encouraging readers to take control of their treatment. This is an important book. Thank you!

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Cancer Survival Guide: How to Conquer this Disease and Live a Good Life (The DaVinci Guides), by Charlotte Libov PDF
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Minggu, 28 April 2013

[L793.Ebook] Download PDF Piano and Keyboard All-in-One For Dummies, by Holly Day, Jerry Kovarksy, Blake Neely, David Pearl, Michael Pilhofer

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The go-to reference for aspiring pianists and keyboard players

Piano & Keyboard All-in-One For Dummies makes it easier and more fun than ever to make music! If you don't know how to read music, this book explains in friendly, uncomplicated language all the basics of music theory, and applies it to playing the piano and keyboard. And if you've been playing for awhile—or took lessons when you were a child but haven't played since—you can pick up some valuable tips to improve your playing, or use the book as a refresher course.

This indispensible resource combines the best of For Dummies books, including Piano For Dummies, Keyboard For Dummies, Music Theory For Dummies, and Piano Exercises For Dummies to get you up and running in no time. The handy reference helps you to master the traditional black-and-white keys and gives you an understanding of the possibilities that unfold when those black-and-whites are connected to state-of-the-art music technology.

Discover the secrets for becoming a master on the piano and keyboard
Improve your skills with a wealth of easy-to-apply piano exercises
Tap into your creativity and get the lowdown on composing an original song
Find out how to use keyboards anywhere using external speakers, amps, home stereos, computers, and tablets

Dive right in! This comprehensive book offers the most complete learning experience for aspiring pianists, keyboard enthusiasts, and students of music.

Sales Rank: #35682 in Books
Published on: 2014-04-28
Original language: English
Number of items: 1
Dimensions: 9.30" h x 1.22" w x 7.40" l, 1.85 pounds
Binding: Paperback
648 pages

From the Back Cover

4 BOOKS IN 1

Piano For Dummies
Piano Exercises For Dummies
Keyboard For Dummies
Music Theory For Dummies

Jump into playing piano and keyboard with this complete, easy-to-use guide

If you’ve always wanted to play piano or keyboard, but didn’t know where to start, this book is the resource you need! With four hands-on books all wrapped up in one, you’ll get a complete guide to playing like a pro, from understanding theory and reading music to exploring different genres and using practice exercises to improve quickly!

Meet the keyboard — get started by finding out how to choose an instrument, set it up, and care for it
A different language — dive into the basics of the language of music, including notes, beats, measures, time signatures, and more
Do it with style — explore the different styles of music, including jazz, classical, and blues
Practice makes perfect — use the practice exercises to brush up on technique, master scales, and more

Open the book and find:

Tips on choosing an instrument and caring for it
The scoop on reading notes and understanding beats
How to begin playing, one hand at a time
An exploration of various genres of music
Exercises for developing technique
The skinny on electronic keyboard effects
Tips on using software to play along with recordings

Most helpful customer reviews

19 of 19 people found the following review helpful.
Packed with info. Covers all of the bases for a piano student.
By Michelle Rayburn
I will preface this review by saying I am a piano teacher, and I know a thing or two about teaching and about pianos and keyboards. This book is packed with info. There is also online tools that can be accessed with the URLs throughout the book next to a symbol for "Play This." The online tracks and clips have audio related to the teaching topic.

There are also some online articles and cheat sheets available.

The first part of the book is about keyboards, purchasing, learning features, posture, and the mechanics of playing.

The second part features beginning music lessons that covers the technical stuff that is part of reading sheet music. Counting note values, learning the letter names of notes, and getting to know the layout of sheet music is important. Some beginners may be hoping to play actual music sooner and may get frustrated with the pace. This is a very complete summary of music theory. Where this differs from traditional piano lesson methods is that it gives all of the theory up front and the student must study it almost like one would school homework. In traditional lessons, we would cover these concepts gradually, along with learning to play notes on the piano at the same time. It's more satisfying for most students to play keys sooner rather than later.

The third part of the book begins to teach how to play. If a student can remember the notes learned in the other part of the book, he or she can begin to play from the music notes in this part. However, it may take a lot of flipping back and forth between this and the previous section to put it all together. It moves quickly through different hand positions, where traditional lessons would camp out for a few weeks on one position before introducing a new one.

In addition, this section covers more theory, such as scale degrees. This would normally be introduced quite a ways into piano lessons, rather than at the beginning. Covers key signatures, minor scales, intervals, and the circle of 5ths, for those who know musical lingo and want to know if it's covered in the book. It also covers the formation of chords and chord theory.

In the 4th part of the book, it covers dynamics, tempo, pedal, and other special artistic accents. It teaches how to fill out the left hand accompaniment using the right hand chords, or a lead sheet. It teaches blues chord progressions, country style and more in this section.

In the 5th part of the book, it teaches technique. These are exercises to get the fingers cooperating and some of them are like Hanon's exercises or Finger Power books that get the hand-eye coordination going, and improves technique. This is a larger part of the book than some sections.

The 6th part of the book covers some special effects that can be added with electric keyboards. It talks about mixing and digital recording. Also covers MIDI.

My analysis: For the very self-motivated person, this might be a potential way to teach oneself how to play piano, but there is still a lot more that a real live teacher would include. I'm in favor of teaching oneself, so I'm not biased in that way. I'm just worried that this is a bit overwhelming for a beginner.

However, this is also a book packed full of the most important technical information a piano player would need. If I was studying for a college entrance exam, I might use something like this as a means of checking to see I understood the basics. It would also be a great handbook to have alongside traditional lessons.

I found it a little odd when in the second chapter, the authors featured a whole page of photos of electric pianos that were popular in the1960s, 70s and 80s. And then there was so little about the modern digital keyboards that most piano players will use. Just my opinion. At first I thought they might be severaly outdated in their information. But, after that, the book gave a very complete instructional process for buying and getting to know a keyboard in the next chapter. That referred to modern keyboards, so they redeemed my opinion in chapter 3.

All in all, I would recommend this book for my students as a handbook to use along with our lesson materials.

16 of 18 people found the following review helpful.
Sometimes, less is more
By Eric Sedensky
As a musician of varying sorts for over forty years, including a church organist, rock keyboardist, and now would-be jazz pianist, my experience with keyboards in general and pianos in specific is intermediate to advanced. Still, I'm always eager to learn more and having only played piano for seven years now, that is usually where I focus my energies of late, both studying piano music, and playing and performing on the piano. For that reason and as luck would have it, not only have I read three of the four books contained in this one, I still have two of them in my possession. That made it easy for me to compare this "4 in 1" book with the originals and size it up in what is (I hope) a meaningful manner.

The first thing I noticed is although this book claims to be four books in one, the publishers did not simply combine the existing books using their individual volume formats. A serious attempt to edit and consolidate was made with this book, making it flow very smoothly while also making it much more comprehensive and useful. While it is true that the bulk of the material is more or less re-printed as is, nearly all of the material has revamped titles and overlapping material has been shortened or eliminated. Since I could not refer to all the originals (and indeed, had not read the music theory volume until I got this book), I can't say for sure how much of each book made it into this compendium, but I can say that the material is very well-organized now, and does not rely on any one book (or two) at the expense of the others. Overall, the information is stacked and dense, but it remains cleverly laid out, marked with various "dummies" icons, and maintains all the usefulness these books are known for. For somebody new to keyboards and pianos but serious about learning more and becoming a proficient player, it will be hard to find a better book than this for a starting point.

One huge difficulty is the performance pieces and printed music. As I said in my review of Piano Exercises For Dummies, the musical print is too small for my 50-ish eyes, and I resorted to transcribing the pieces I wanted to play to a music program so that they could be printed out in a much larger, clearer print. Unfortunately, this compendium volume has gone to even smaller pages but maintained the wide margin format of the original. The result is the music pages are even smaller than before, and for me, much less approachable. Also, now that they are organized differently so that the exercises that teach various techniques are moved to where those techniques are explained and illustrated, the performance pieces are scattered all around the book. Anyone trying to play the music pieces with therefore have to deal with the glued spine binding not lying flat, and even breaking the spine will not affect the pieces appearing dozens of pages away. That is to say, the Dummies series' weakest point is now even weaker, and the printed music pages in this book are the hardest yet to use.

In the end, I think a lot of readers will be better served by this compendium volume, as the point of the dummies series has always been to make a good start, and now, someone thinking about taking up keyboards, piano, or music in general will be able to learn about all three and make an informed decision about what to pursue. At the very least, having all this information in one volume is easier to carry around, simpler to work through, and cheaper. I wasn't sure I could give this five stars because of the tiny printed music pages, but I think there are enough work arounds for that, and I also think the efforts of the editors to provide a tighter and more resourceful manual that even though it is slimmed down, contains the crucial information about its subject should be applauded, so I decided that five stars was the way to go.

7 of 8 people found the following review helpful.
Excellent resource to have - whether you are a 'dummy' or not!
By MS
While the first section of the book is really intended for 'dummies' - things like what to look for when buying a piano/digital keyboard, the later sections cover all the required material all the way from beginner to an intermediate level. There are several things I like about this book and should have given 5 stars for it, but:
1. End of the day, you can't learn everything from a book - need direct practice and some instruction time from a professional teacher (unless you are a born genius, of course!). This book can take you only so far. After that you still need to practice a lot and also get some face time with some pros/teachers.
2. More importantly, I feel there are less exercises and simpler examples at the beginning. The toughest part of learning something new is in the basic stages. That part should be really taken slow, with lots and lots examples/exercises. You can never overdo that. While this book does try to cover a lot of ground, still not enough for the early stage, IMHO.
3. Nitpicking: the print for the music could have been a little bit bigger.

In spite of that, this is one of the 'must have' books you should have handy, as it provides lot of valuable information, pointers to references for further learning, and website access to all the songs for you to listen and practice while reading this book.

For those of you who want to learn without a teacher, there are some software in the market, that can connect your notebook to a digital piano/keyboard through USB/MIDI cables, and such software can guide you real time with playing songs, track if you pressed the right key or not, within the tempo or not, etc. I believe such a software along with this book will get me more complete instruction than otherwise.

See all 47 customer reviews...

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Rabu, 17 April 2013

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In this magnificent volume, the second in the Grand Livre de Cuisine series, celebrated chefs Alain Ducasse and Frédéric Robert comprehensively cover the art of making desserts, pastries, candy, and other sweets. Everything is here— mousses and fondants; cookies and cakes; ice creams and sorbets; bonbons and nougats; fruit tarts, profiteroles, and sweet crèpes.

The book’s 250 mouth-watering recipes range from traditional treats such as peach melba, candied apples, and oeufs à la neige to audacious concoctions such as tropical fruit– stuffed ravioli and coconut-encrusted lollipops. Decidedly French yet international in flavor, the book presents the authors’ masterful takes on American cheesecake; Italian cannolis, zuppa inglese, and tiramisù; and the Austrian confections known as viennoiseries.

Organized by main ingredient, the Grand Livre’s structure epitomizes Ducasse’s philosophy of cooking and baking, which holds that culinary techniques should accentuate and enhance an ingredient’s true nature—not mask it. The book features more than 650 color photographs, including a full-page, close-up photo of each finished dish. Cross-sectional drawings clearly display the internal “architecture” of some of the more complex creations.

Sales Rank: #2332020 in Books
Published on: 2006-10-01
Original language: English
Number of items: 1
Dimensions: 12.25" h x 2.00" w x 9.50" l, 7.45 pounds
Binding: Hardcover
568 pages

About the Author
ALAIN DUCASSE is the celebrated chef of four renowned restaurants: Le Louis XV in Monaco, Restaurant Plaza Athénée in Paris, Alain Ducasse at The Essex House in New York, and Beige in Tokyo. In 25 years as a prominent chef, he has not only developed expertise in the culinary arts but also become successful as an educator and publisher.

FRÉDÉRIC ROBERT has spent the last 25 years working side by side with Alain Ducasse, overseeing all the pastries, desserts, and breads for his restaurants. He has received numerous culinary awards.

Most helpful customer reviews

0 of 0 people found the following review helpful.
great book to have around
By Sumana Chatrchotchawla
When ever you need a basic recipe for any dessert this is the book to grab. It's nice to have around.

4 of 6 people found the following review helpful.
Wonderful book for pastry and dessert
By P. Bruich
I purchased this book after doing a considerable amount of pastry, breads, desserts, etc. This book offers hundreds of recipes, easy to follow, great photos, clear explanations. It is a must have for anyone serious about their collection of cookbooks, and for anyone searching for the perfect dessert recipe. Any one of the recipes can be used as a guide to creating your own inventions. I would highly reccommend this book, and it is pricey, but considering I am a passionate cook, this was a must have and a true reward for myself! Enjoy! [...]

1 of 1 people found the following review helpful.
Alain Ducasse's Desserts and Pastries
By Albert
Great book, great pictures but maybe a bit difficult to execute for a non professional chef.

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Selasa, 16 April 2013

[U634.Ebook] Download Ebook The Shakespearean International Yearbook: Volume 14: Special Section, Digital ShakespearesFrom Routledge

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This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics.

Sales Rank: #6831435 in Books
Published on: 2014-08-06
Original language: English
Dimensions: 9.50" h x 6.50" w x 1.00" l,
Binding: Hardcover
310 pages

About the Author
Tiffany Jo Werth is an associate professor of Renaissance Literature at Simon Fraser University. Tom Bishop is based at the University of Auckland, New Zealand. Alexa Huang is a Professor of Enligh at George Washington University.

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Jumat, 12 April 2013

[C715.Ebook] PDF Download The Dresden Files: Welcome to the Jungle, by Jim Butcher

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When the supernatural world spins out of control, when the police can’t handle what goes bump in the night, when monsters come screaming out of nightmares and into the mean streets, there’s just one man to call: Harry Dresden, the only professional wizard in the Chicago phone book. A police consultant and private investigator, Dresden has to walk the dangerous line between the world of night and the light of day.

Now Harry Dresden is investigating a brutal mauling at the Lincoln Park Zoo that has left a security guard dead and many questions unanswered. As an investigator of the supernatural, he senses that there’s more to this case than a simple animal attack, and as Dresden searches for clues to figure out who is really behind the crime, he finds himself next on the victim list, and being hunted by creatures that won’t leave much more than a stain if they catch him.

Written exclusively for comics by Jim Butcher, The Dresden Files: Welcome to the Jungle is a brand-new story that’s sure to enchant readers with a blend of gripping mystery and fantastic adventure.

Sales Rank: #145706 in Books
Brand: Butcher, Jim/ Syaf, Ardian (ILT)
Published on: 2008-10-14
Released on: 2008-10-14
Original language: English
Number of items: 1
Dimensions: 10.56" h x .60" w x 6.91" l, 1.23 pounds
Binding: Hardcover
160 pages

From Publishers Weekly
Author Butcher is the creator of the Dresden Files series of novels (the basis for the short-lived Sci-Fi channel series), and this fun graphic novel is the prequel to his first Dresden book, Storm Front. Blurring the lines between fantasy and noir, Dresden is a scrappy, rough-and-tumble consulting professional wizard who's often hired by the Chicago police to work on those crimes that enter the supernatural. Given only 24 hours to solve an inexplicable and gruesome murder at the zoo, Dresden has to deal with unhelpful zoologists and police, a helpful but confused potential love interest, packs of demonically possessed animals and several deadly enchanters along the way, eventually uncovering a plot by one of mankind's great ancient foes. If the story is not particularly deep, it's breathlessly paced, with plenty of quirks and details (one of Dresden's closest friends and allies is an ancient talking skull), and a compelling page-turner. Syaf's art is always effective, but sometimes ping-pongs between generic action-comic combat poses and more personal and evocative horror art. This book is a decent start to a new medium for the series and may pique the interest of those unfamiliar with Dresden and Butcher. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author
Jim Butcher is the New York Times bestselling author of more than a dozen novels, including the Dresden Files and the Codex Alera books. Since the publication of his first Dresden Files novel, Storm Front, in 2000, Butcher has become a favorite author of millions of dedicated readers around the world. A lifelong fan of comic books, Butcher lives in Missouri with his wife and son.

Ardian Syaf is a rising talent who has received universal acclaim for his work on the comic book Honor Among Thieves. Syaf lives in Indonesia.

Excerpt. © Reprinted by permission. All rights reserved.
Introduction by Jim Butcher

I know The Dresden Files got a lot of people’s attention when it aired on the Sci-Fi Channel, but there’s a secret I’ve been needing to get off my chest: In my head, it’s always been an animated cartoon. In fact, when I’m writing it, I actually see panels from a comic book–sorry, graphic novel–in my mind’s eye.

So when the Dabel Brothers came along and expressed an interest in adapting the books to a graphic novel format, I couldn’t have been happier.

See, back in the day (when you just called them "comic books" and "graphic novels" wouldn’t really come into common use until the release of Frank Miller’s Batman: The Dark Knight Returns in 1986), I collected a lot of titles. In point of fact, from 1983 to 1986, I collected every single Marvel title with the exception of the overtly marketed toy tie-in titles (Transformers, GI Joe) and those less-than-successful "New Universe" titles.

Yeah. All of them.

I stopped looking up the value of all those titles about a quarter of the way in. It was too depressing. My mom threw 99 percent of them away when I was off at college. Not that I would have sold them, anyway. Money might be money, but what I loved were the stories; the heroes, the villains, the victims, the explosions, desperate battles, heroic sacrifice–the stuff of legends. At least, they were to that 12- to 15-year-old boy. Those comic books–they were NOT graphic novels back then–stirred my imagination and deeply influenced the kinds of stories I would write myself one day.

So when the Dabels offered me the chance to write an original story in the Dresden Files, as an introduction for the adaptation of the novels, I jumped at the chance! Ah hah! I’d gotten to write a Spider-Man novel for Marvel, but this was going to be even better!

Nobody told me how much *work* it would be.

I mean, a picture is worth a thousand words, right? Well, there are between one and six pictures on every single page of a graphic novel, and when you’re the writer, you’re the one who has to produce the thousand words. You’ve got to tell the artist what you want on the page, give him some idea of perspective, of mood and tone, and generally give him a good notional skeleton to draw the sketches on. When you’re a noob writer for this format, like me, you also have to work out when you’re asking for the impossible and when you’re telling the artist everything he doesn’t need to know, and nothing that he does.

It’s intense. In its own way, it’s harder than writing a novel.

I’m really proud of the results.

"Welcome to the Jungle" is a story set in the world of the Dresden Files, immediately prior to the events of Storm Front. Drawn by the tremendously gifted newcomer Ardian Syaf, I can honestly say that the representation of the characters found here is very, very close to the images of them that exist in my head. Harry is bang-on, in particular, and I just keep getting more impressed with the art being produced to go with the story I’ve written. Put together, I think they make for a fine comic book.

I don’t think I’ll apologize for that one. Comic books opened up a whole universe of imagination to a kid who rushed to the local comic shop each week, eager to buy issues for seventy-five cents to one dollar apiece. Comic books helped awaken my own desire to tell stories, and played a pivotal role in shaping my own storytelling style. I see no slur in the name, no disrespect, and never have.

Even so, I can respect the opinions of others. So welcome to the first issue of the first original Dresden Files graphic novel–"Welcome to the Jungle."

Enjoy.

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221 of 228 people found the following review helpful.
Another quality entry in the Dresden Files
By Timothy Fitzgerald
First, I'd like to address some of these more negative reviews.

Yes, it is a comic book, not a novel. But the idea that Amazon "hoodwinked" anyone is ridiculous. The book has listings of its sales ranks and has for a while, and it is listed under "graphic novels". Additionally, it has TWO authors listed, not just Butcher, and the picture used to advertise the product has it clearly depicted at the bottom "ILLUSTRATED BY..."

So you whiners who think Amazon pulled one over on you are just too lazy or stupid to read the product description.

Additionally, this is a PREQUEL, so people whining about this and that not looking right or not addressing larger issues brought up later in the series, it is as it should be based on his Pre-Stormfront days.

It is also funny people whining about how it looks, maybe Butcher is just a liar and he writes forwards to sell his product, but according to his own introduction to the book, much of what is depicted is close to how HE sees it in his mind. So he seems to like it and being that he created the characters that is good enough for me.

It is a joke to say that "comics are for kids and books are for adults". Come on, the Dresden Files is good, but it isn't as if you have to be above the age of 10 to read and enjoy them, and Harry Dresden (and Jim Butcher) are comic fans (Butcher himself even says he has always seen the Dresden Files as an Animated Cartoon) so Harry translates well to the medium.

As to the product itself: I found it a thoroughly enjoyable Dresden Files mini-adventure. It is 132 Illustrated pages detailing a Dresden adventure just prior to the start of Stormfront.

It has all the fun and action that you expect from a Dresden Files story, just on a slightly smaller scale, more in line with the early books than the later "heavier" fare. I like the art for the most part, there are some complaints with how the illustrator draws his women, they just don't seem as attractive as they should. The guy has a real Steve Dillion style, and I think faces are his weakest point, everything else looks really good.

Even with the illustrations, there is a LOT of text for a comic book, so the story still is comparable in length to a long short story.

In all it is worthwhile, especially considering individual issues cost $4 and you can get it all hardback for $12. At the very least it is a nice little Dresden snack that, combined with Backup, will take the edge off the wait for Turn Coat.

Not just that, but Dresden quotes from Big Trouble In Little China, it doesn't get any better than that!

106 of 109 people found the following review helpful.
An Answer to Complaints
By J. Hanses
I wasn't going to write a review for this book originally, but seeing the pile of unfair negative reviews, I thought I'd add my two cents to bring the rating back up.

The primary complaint people seem to have is that this is a graphic novel. Yes, readers, this book really is a graphic novel compilation of an original 4 issue comic series by Jim Butcher. If you don't like graphic novels, don't buy it. And if you categorically don't like graphic novels, please stop reviewing it. I hate rap. I don't write reviews on rap music. I would be horribly biased and wouldn't know what I was talking about. Any item should be evaluated on its own terms, not based on flaws with the company selling it. If you feel you were misled, then return the product.

Complaint number two seems to be that the book has no ties to the current Dresden Files plot lines. This book is a prequal. It is set before the beginning of the series. Butcher did it as a side project for a bit of a break, he hasn't forgotten his current plotline. As a prequal, the book stands well on its own, and introduces the characters of Harry, Murphy, and Bob reasonably well. The story is tightly contained, and the only possible flaw is that Harry & Murphy's relationship seems better than it was in the first few books where she was always arresting him for something.

The illustrations are beautiful. I'm not fond of the cover art, but that's not the style used on the interior, which is more lush and less photoshop-ish. I have one small problem with the artist representations in that Harry is drawn too short and Murphy is drawn too tall. This is most noticible when they're in the same frame together. Murph is 1-1/2 feet shorter than Harry, but in the comic she's as tall as his shoulder, about 1/2 foot shorter than he is. I suspect the artist tinkered with the heights so that he could fit Harry & Murphy's faces together in the comic frames more often, but it can be irritating to know Harry is an almost freakishly tall 6 foot 9, but in the book he is merely tall. I would suggest the artist pick up Back to the Future and study how the movie managed to fit the small Michael Fox and tall Christopher Lloyd in the same scenes together.

Butcher has a nice intro to the book, talking about his love for comics, and he clearly learned well from them. The number of narrative boxes is high, but somehow the story still flows and they don't overwhelm the pictures. The end result has me considering purchasing Storm Front's graphic novel version despite already owning the standard novel. If nothing else, it makes me hope he'll write a graphic prequal to book 3.

Extras!: Yes, there's additional stuff in this book. The standard and varient covers are included, as are some concept art and writer's notes on the characters. And of course there's the lovely introduction/homage to comics.

The book is worth it if you're a Dresden fan. It's high quality, beautiful, and fun.

52 of 57 people found the following review helpful.
It's a jungle out there
By EA Solinas
"Like any jungle, it is a world of predators and prey. Some of the most dangerous creatures in the world live here. Very few of them are in cages..."

Having appeared in bestselling books and on TV, detective/wizard Harry Dresden now has his own comic book series, the four-part "Welcome To the Jungle". And it loses nothing in translation -- author Jim Butcher wonderfully preserves the sharp, witty, literate fantasy-noir flavour of his books, which is brought to colorful life with Ardian Syaf's solid artwork. This is one to keep an eye on.

A mangled corpse is found outside the monkey house, but the facts don't add to the "gorilla attack" the city wants. So Murphy calls in Harry Dresden (who was killing a Rawhead and Bloody Bones), and after casting a spell to see what killed the man, Harry knows it definitely wasn't a gorilla, especially since the man filled his opponent with bullets before dying.

Unfortunately Harry only has twenty-four hours to find the culprit. And as he starts poking around the gorilla house, he and nervy zookeeper Wil are attacked by bespelled jungle cats, and later by the Big Bad Black Spectral Dog. Harry suspects the mysterious Dr. Watson, but has no idea of her true plans -- or her true monstrous nature.

I'll give it to Jim Butcher -- not only can the man pen two vastly different series and assorted short stories, but he can turn out a pretty thrilling graphic novel prequel. Though "Welcome to the Jungle" is a short work, it's still crammed with action, monsters, magic, and a unique new supernatural threat that Harry alone can deal with. Basically, what one expects of the Dresden Files.

The plot is a pretty straightforward one, and most of the first quarter involves Harry poking around at the zoo. But soon it speeds up as Butcher introduces lots of splattered blood, glowy eyes, monstrous hags, and some solid action scenes involving train tracks, car chases and flying boulders. By the time Harry rushes into the underground lair (complete with bubbling cauldron), Butcher is officially on an action-packed roll.

Since this is Jim Butcher, there's a hefty dose of humor (Harry getting whacked in the head with a notebook, or chatting with a lecherous talking skull), and also some wonderfully snappy dialogue ("I've taken your staff. I've taken your rod." "You should have taken my gun"). But there are also moments of poignancy, such as Harry recognizing the accused gorilla's grief over his human friend's death.

And Ardian Syaf does a simply lovely job with this book's art. Lots of shadows, blurry corners and just enough gritty fantasy realism -- one stunning image portrays the hags as hooded clawed creatures reaching to a blood-tinted moon. Harry is the tall, rangy, stubbly guy you'd expect, and though Murphy doesn't look quite as "cute" as you'd expect, she's a convincing hard-edged cop.

Butcher's anti-hero is no stereotypical wizard -- he's rough, a little sarcastic, and just trying to make the rent with his magical powers. And in the story's quieter moments, we get to see how Harry became such a cynical loner. And on the ordinary-people front, Wil... acts the way you'd expect an ordinary gal suddenly confronted by magic fire and evil hags to act.

"The Dresden Files: Welcome to the Jungle" is a primo example of what graphic novel spinoffs should be -- fast, sharp and action-packed. Definitely a good read.

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Senin, 08 April 2013

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Book one of Bloodrunners.

FIVE SECONDS EARLIER, MASON DILLINGER WOULD HAVE SWORN IT COULD NEVER HAPPEN….

That a woman who was his perfect match even existed. And that he'd find her in a bustling cafe. Yet just the scent of sweet, mortal Torrance Watson ignited a driving, explosive need to claim her that he knew his pack would never sanction. Worse, the rogue werewolf he'd been hunting had sensed that attraction and made Torry his prey. Forced to safeguard her from this ruthless assassin, who already posed a threat to his pack, Mason now faced the ultimate challenge. Did he have the courage to cross the line by sealing the blood bond that would make Torry his alone—a disloyalty few of his kind ever survived—or would he live an eternity without love?

A Wolf Shifter Romance.

Previously published.

Sales Rank: #211436 in eBooks
Published on: 2015-07-20
Released on: 2015-07-20
Format: Kindle eBook

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19 of 19 people found the following review helpful.
5 Klovers - Courtesy of CK2S Kwips & Kritiques
By Jennifer A. Ray
Whether Wolf or human, Mason Dillinger has never had to work at attracting a woman before - females have just naturally flocked to him. Now he has found his mate - however unwillingly - and he must actually woo the woman, all while keeping her fragile human body in one piece. See, there's this rogue werewolf Mason is hunting, and that rogue would like nothing better than to exact his vengeance on Mason by destroying everything he loves.

But Mason isn't new to this game. As a Blood Runner, he's old hat at tracking and killing rogue werewolves - those that have developed a penchant for killing humans. And with the beautiful Torry's pretty neck on the line, Mason will stop at nothing to ensure her safety - even if it means his own life.

When the trail of the killer points to a threat much larger than one lone rogue werewolf, it will take everything he's got to keep them both alive.

Rhyannon Byrd was one of the first authors I discovered when I began reading the romance genre almost two years ago. With captivating plotlines and engaging characters, she immediately became one of my favorite romance writers. When I heard she had finally published several books through major New York publisher Silhouette Nocturne, I was beyond ecstatic, both for her and for myself, as a fan of her work. While her eBook releases have been wonderful, this new avenue in her career can only mean good things for her fans. More exposure equals more sales, which means more books - it is a win-win for both author and fans, right? *grin*

So now that you know how much I admire Rhyannon Byrd's previous work, let me tell you that the first book in her Blood Runners series, Last Wolf Standing, more than pleased me. She has done a beautiful job of conforming to Silhouette Nocturne's standard while still retaining her own writing voice.

This series is the tale of a werewolf pack, specifically the half-breeds - part human, part shifter - and their work to ferret out the growing menace to both the human and the shifter community. The half-breeds are looked down on by the pureblood shifters, who mandate that each half-breed must serve as a Blood Runner, hunting rogue werewolves. Only once each Blood Runner has caught a certain number of rogue shifters are they accepted into the pack with full rights.

Half-breed Mason Dillinger wants no part of the pack with its myriad politics or a commitment of any kind. He hunts the rogues for his own satisfaction, out of his own sense of responsibility and justice. The life he leads is not suited to that of a man with something to lose - like a mate. Needless to say, when he accidentally finds his own mate, he is ill-prepared for the moment, leading to a hilarious scene between him and Torrance. To the readers' never-ending entertainment, Mason is at a loss concerning how to approach his mate from the get-go. Of course, when it comes to the physical part of their relationship, he more than gains the upper hand... Torry has no defense for the intense sensuality between them, or Mason's skill in this area.

Torry is a bit of a loner. She has a few very close friends, but outside them, she keeps to herself. Although she's dated in the past, nothing could prepare her for the force of nature that is Mason. Regardless, it doesn't take her long to stand up to the intimidating Blood Runner, and she proves she can more than keep him on his toes over the long haul.

Both Mason and Torry grow throughout the course of this story. Torry finds a core of inner strength she previously had no cause to call on. Mason finds it within himself to love someone else - something he didn't think possible. Watching their individual journeys alongside the one they take together is absolutely inspiring.

Throughout the book, the plot twists more and more, with new mysteries brought to light even as others are solved. While we enjoy a very happy ending for Torry and Mason's romance, Ms. Byrd leaves us with immense anticipation for the answers the next book in this fascinating trilogy will bring regarding the ongoing storyline that arcs through the Blood Runners stories.

Last Wolf Standing is sure to be an instant hit with lovers of paranormal romance, especially those with a penchant for sexy shape shifter stories! Bravo to Rhyannon Byrd for a thrilling entry in the Silhouette Nocturne line!

Series Order:
Last Wolf Standing (Silhouette Nocturne)
Last Wolf Hunting (Silhouette Nocturne)
Last Wolf Watching (Silhouette Nocturne)

18 of 18 people found the following review helpful.
Dissapointing!
By Rachel K.
Well, I just finished reading the book in question last night, and my thoughts were, "I'm going to hurry up and finish this so I can put it on my shelf and never look at it again."

The book started off well, and the plot seemed interesting at first. Torrence, the likeable heroine of the book, is being stalked by an evil, insane werewolf because she is linked by a bond to Mason. Yeah, that makes sense. Torrence has thoughts and feelings that could be sympathized with, and Mason seemed human (which is funny, being that he is not).

But the book nose-dived about halfway through. At first I started thinking things like, "Wait a second, there's a crazy werewolf running around, haven't these guys got anything better to do than sit around teasing Mason about Torrence? Apparently not. Even in the middle of fight scenes Mason and Torrence are still swooning over each other? Do all werewolves have ADD?

There are also some pretty big plot holes. One question in particular I kept wondering, `If werewolves can be lifemates with a human, then why is it so frowned upon in werewolf society to be half human?' I guess maybe if I understood the bonding thing more I might figure it out, but as it stands it doesn't make sense, other than to spice up the story with the idea of forbidden love.

The book slowly progressed into, `Oh Torrence, Oh Mason' and a lot of poetic descriptions of various aspects of Torrences hair and eyes until I just stopped reading. As I said, the only reason I finished it was to get it off of my pile of books to be read and back onto the shelf where I could forget about it.

The worst thing is, for a romance novel, there is very little actual sex, and a lot of Torrence and Mason mooning over each other. Yeah, pun intended.

So I end with, if you really like super-sappy romance, this book is good for you. If you were hoping for a more in-depth werewolf book, not so much. If you wanted steamy sex, skip to the last few pages at the end. No really, I'm serious. I'm giving this book two stars because it built some good characters and a good foundation for what might have been a good story. Too bad the train ran off of the tracks.

8 of 9 people found the following review helpful.
Better than average mared by weak plot saved by good characters and erotic scenes
By G. Robinson
The characters here are well drawn but could be better. The plot is pretty much bad guys attack good guys, good guys kill bad guys,.... There is an interesting plot twist near the end but still linear. A number of editorial errors mar the story but none really obtrusive. Some moose tracks (we went looking for Moose and found fresh tracks but none were seen there) floating anticedant.

Good erotic scenes not up to the very best but better than average. Little humor. Overall a good read that is better than average for the genre but not hugely.

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Published on: 2012
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0 of 0 people found the following review helpful.
How and why rebel entrepreneurs "create the real growth drivers of an economy"
By Robert Morris
Rebels are iconoclasts, mavericks, outliers, etc. By nature, their thinking and initiatives are unconventional, unorthodox, and quite often disruptive as they challenge what (in Leading Change) James O'Toole so aptly characterizes as "the ideology of comfort and the tyranny of custom." In business, the term "rebel entrepreneur" is a redundancy. In this book, Jonathan Moules focuses on a number of people who have demonstrated that "acting in a way that does not follow the crowd can be a better way of managing your business if you really want to grow bigger and faster - what I call being a rebel entrepreneur."

Moules suggests that rebel entrepreneurs tend NOT to

o Seek bank loans for financing ("Funding is for fools: The case for bootstrapping.")
o Innovate; rather, they imitate [Note: My own opinion is that great entrepreneurs do both.]
o Be a hero
o Pay "the high cost of success"
o Get hung up on the business plan
o Downsize their way through difficult times
o Waste their time selling [Note: My own opinion is that great entrepreneurs avoid wasting anything but are NOT risk averse.]
o View setbacks as failures if valuable lessons are learned from them

Moules devotes a separate chapter to each of these eight. For example, Chapter 01: "Funding is for fools" ("The case for bootstrapping.") As he explains, "The topics I have chosen for this book reflect the breadth of issues an entrepreneur has to consider when building a company [or department, business unit, wholly-owned subsidiary, or division]. Each is a journey through tips I have picked up during six years of writing about entrepreneurship in the Financial Times."

Consider these remarks by Jack Welch, shared during a GE annual meeting years ago when he explained the reasons why he admired entrepreneurial companies:

"For one, they communicate better. Without the din and prattle of bureaucracy, people listen as well as talk; and since there are fewer of them they generally know and understand each other. Second, small companies move faster. They know the penalties for hesitation in the marketplace. Third, in small companies, with fewer layers and less camouflage, the leaders show up very clearly on the screen. Their performance and its impact are clear to everyone. And, finally, smaller companies waste less. They spend less time in endless reviews and approvals and politics and paper drills. They have fewer people; therefore they can only do the important things. Their people are free to direct their energy and attention toward the marketplace rather than fighting bureaucracy."

There is much to be said for rejecting or re-writing the "business "rule book" to which the subtitle of Moules's book refers if (HUGE "if") those rules are irrelevant to the needs, interests, values, resources, and strategic objectives of the given enterprise. However, even entrepreneurs (and especially, rebel entrepreneurs) will agree that several rules still have significant value. For example

o There is no business without customers
o Waste (of anything) is evil
o "Potential" means "you ain't done it yet" (Darrell Royal)
o "Vision without execution is hallucination." (Thomas Edison)
o "There is surely nothing quite so useless as doing with great efficiency what should not be done at all." (Peter Drucker)
o "Take great care of your people, they will take great care of your customers, and your customers will then take great care of your investors." (Herb Kelleher)

There are no head-snapping revelations in this book, nor does Moules make any such claim. Rather, citing dozens of real-world examples to illustrate key points, he offers a wealth of information, insights, and counsel that have substantial practical value. For whom did he write this book? Probably not for rebel entrepreneurs but surely for those who aspire to "build a better company" or "have a go at chasing that idea that [they] have nurtured for an enterprise." I also recommend this book to those who are preparing for a business career or have only recently embarked on one as well as to middle managers in large organizations. Although they may never launch a new company, they can certainly apply what they learn from Jonathan Moules to drive the growth of their careers.

0 of 0 people found the following review helpful.
A must have for any person, not just a business owner!
By Michael J
This was an incredibility great and useful book. The tips and advice in it are amazing and things that when you read them, you say, "Wow, that makes total sense!" Even if you are not an entrepreneur, it can help you with jobs like sales, account reps, telemarketers, and just about anyone who wants a new outlook on business. If you are starting your own company or even already in business, you have to read this book. Just a great book and a must read.

0 of 0 people found the following review helpful.
An inspiring read about entrepreneurship
By G. Gordon
Tyler has vast experience as a business journalist which qualifies him to write this book. The pages are jammed with inspirational stories about entrepreneurs who have made it. It is an upflifting read full of useful advice on the do's and dont's. Would especially recommend the book to anyone who is starting or running a growing business.

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