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Senin, 30 Maret 2015

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This gem-like, concise anthology provides thoughtful people with both an introduction to the paranormal and a reason to take a fresh look at it.

Nostradamus...channeling...Atlantis...divination. Most serious people consider such topics nonsense. But look again. Writing with intellectual verve and a deeply critical mind, religious thinker Richard Smoley explores and reconsiders the supernatural in history and today.

We are often conditioned to think of the Judeo-Christian tradition as the only valid, historically accurate, and rational spiritual philosophy. Occultism, magic, and the esoteric are, by contrast, considered illegitimate, delusional, and lacking in intrinsic worth. Supernatural challenges this prejudice, revealing that Western occult traditions are richer and more historically impactful than most of us imagine. The book reveals hidden diamonds and neglected ideas that characterize the magical tradition in the West.

For any reader, at any level of experience, who has ever been curious about an arcane subject – from psychical powers to secret societies – here is a book that gives a complete yet precise, critical, yet serious, and always respectful account of topics from the unseen world. Supernatural is a brilliant primer to the occult and magical traditions of the West.

Praise for RICHARD SMOLEY

“I have a standing rule: I read anything Richard Smoley writes.” —Larry Dossey, M.D.

“Smoley . . . is adept at unknotting the paradoxes of spiritual traditions and making new connections across centuries and languages.” —Library Journal

“He is one of the liveliest, most intrepid, and most gifted explorers of the spiritual landscape writing today.”

—Ptolemy Tompkins, author of Paradise Fever

Sales Rank: #1054693 in Books
Brand: Smoley, Richard
Published on: 2013-02-07
Released on: 2013-02-07
Original language: English
Number of items: 1
Dimensions: 7.11" h x .65" w x 4.98" l, .31 pounds
Binding: Paperback
240 pages

Features

Supernatural: Writings on an Unknown History

Review
“A fascinating series of brief glimpses into the lives of some of the major players and their ideas and beliefs. Taken as a whole, this short work offers the reader an easy to understand introduction to traditions and ideas that have informed the world for centuries."
—Publishers Weekly

“I have a standing rule: I read anything Richard Smoley writes.”
—Larry Dossey, M.D.“Smoley . . . is adept at unknotting the paradoxes of spiritual traditions and making new connections across centuries and languages.”
—Library Journal“He is one of the liveliest, most intrepid, and most gifted explorers of the spiritual landscape writing today.”
—Ptolemy Tompkins, author of Paradise Fever"With scholarly precision, [Smoley] revisits Nostradamus, The Da Vinci Code, Atlantis, Freemasonry, A Course in Miracles, New Thought, and many other famed repositories of “secret wisdom”. Fair and clear-eyed, he communicates what his research unearthed in a surprisingly lively style. He speaks honestly to his readers as he recounts, elaborates and debunks. It makes for an intriguing read as well as excellent reference material."
—Anna Jedrziewski, Retailing Insight

About the Author

One of today’s most highly regarded writers on esoteric topics, RICHARD SMOLEY is a graduate of Harvard College and the University of Oxford. He was a longtime editor of the venerated spiritual journal Gnosis. Smoley is the author of books including Inner Christianity, The Essential Nostradamus, and Forbidden Faith: The Secret History of Gnosticism. He currently works as editor of Quest Books and of Quest: Journal of the Theosophical Society in America. He lives in Chicago.

Most helpful customer reviews

6 of 6 people found the following review helpful.
A short compendium of thoughtful articles
By Alan S. Glassman
Richard Smoley's latest book offers a collection of some of his articles first published in New Dawn magazine as well as a few from other periodicals between the years 1997 and 2012. Altogether, this relatively short volume is composed of 16 separate chapters, each of which is a small gem of its own designed to be fast and enjoyable reading.

While I'm guessing the book's title is a play on words of P.D. Ouspensky's In Search of the Miraculous: Fragments of an Unknown Teaching, the chapters themselves offer us brief glimpses of a variety of subjects suitable for the novice of metaphysical studies as well as those who have specialised in that area for a long time. Considering myself to be a member of the latter category, I found many delightful and interesting titbits of information of which I had not been aware.

Perhaps what is most engaging about this book is that Smoley gives us insight into some of his own personal experiences in the realm of the supernatural, whether they be direct encounters or accounts related to him by others. With his usual skilful writing ability, he tempts us to go further into our own investigations of subjects like archaic wisdom, Nostradamus, prophecy, The Da Vinci Code, the 2012 phenomenon, Atlantis, Freemasonry, The Course in Miracles, the nature of prayer, and many other areas of study.

Smoley's knowledge of Greek and Latin enlightens us with definitions with which we may not have been familiar, and add to our understanding of sometimes difficult subject matter. As early as in his Preface, for instance, he gives us the root of the word "esotericism" as coming from the Greek esoterikos, meaning "further in." This resonated and added to my mundane definition of that word as merely "hidden."

Whether he's talking about such diverse ideas as the Kabbalah; Tarot; the Western magical tradition; widening our observing faculties and qualities of attention in the manner taught by G.I. Gurdjieff; C.G. Jung's world of archetype and synchronicity; the predictions of Edgar Cayce; the astral realm; sacred literature; Priory of Sion; Mayan Calendar; Theosophy; the Rosicrucians; the Kahunas of Hawaii; Gnosticism; Hermeticism; psychic protection; and a host of other fascinating topics, Smoley presents them all in a thoroughly delightful and down-to-earth way.

The author's thematic stream prods us to develop our own way of finding our true Self, our real "I," if you will. While there are innumerable methods for this in the "esoteric tradition - the body of knowledge that underlies all the great spiritual traditions of humanity," Smoley cautions that we cannot necessarily find this in ordinary religion which "involves a relationship with a personal deity." Perhaps we can only find the useful and correct method for enlightenment in the sacred and secret technology of "real" magic prompted by meditation and directed imagination.

Of course, Smoley admits we are left with many more questions than answers as to the nature of other realms beyond our own that may, indeed, be generating and controlling factors in our day to day lives here on Earth. He reminds us, "We do not know. The evidence would seem to suggest as much. At any rate, I am convinced that we will not understand the rise and fall of civilisations, or history itself, until we do know."

And, he reiterates, a small step in beginning to crack the barrier to that knowledge is to get in touch with what it is, both within us and outside of us, that "experiencing." But, he cautions that, "...this is not ordinary ego, with its thoughts and desires and judgements. Why? Because we can step back and look at all these things within ourselves. If we can look even at internal events, what is doing the looking?"

In the final chapter of the book, entitled "The Dual Nature of Reality," Smoley gives us the goal from the Samkhya, thought to be the oldest of all Indian philosophical systems. It can be, and perhaps should be, the ultimate goal for those of us who are involved in metaphysical pursuits.

He summarises that ancient teaching's objective and intended result in this way: "The spiritual path, which is for a long time the process of detachment, is a means of gradually separating the `I' from the world, that is, separating consciousness from the contents of its experience. At this point, supreme illumination takes place. The old world falls away, and a new one arises. Such is enlightenment."

- This review first appeared in New Dawn magazine, Issue #137

3 of 3 people found the following review helpful.
Facts or Fiction?
By Anna from InannaWorks
Smoley takes us on a tour of all things esoteric using his personal journey into that world as the framework. Beginning with the revival of interest in occultism which blossomed along with Hippies and Free Love, through the consolidation now known as New Age, and finally arriving at today's New Consciousness, he separates fact from fiction bringing reason and common sense to subjects which have been exploited and misrepresented in proportion to the profitability that was generated.

With scholarly precision, he revisits Nostradamus, The Da Vinci Code, Atlantis, Freemasonry, A Course in Miracles, New Thought, and many other famed repositories of "secret wisdom". Fair and clear-eyed, he communicates what his research unearthed in a surprisingly lively style. He speaks honestly to his readers as he recounts, elaborates and debunks. It makes for an intriguing read as well as excellent reference material. For those of us who also lived the journey he writes about, it a nostalgic revisiting with interesting clarifications.

(InannaWorks.com received a free review copy of this book.)

2 of 2 people found the following review helpful.
Good read, and well worth the wait.
By Mr Pasquale Di Rago
Richard Smoley is one author that I have a lot of time for, ever since I stumbled across him in New Dawn Magazine, several years back. His latest book offers a variety of topics, ranging from Prophecy to Hidden Masters, Atlantis to the power of Prayer, and much more besides.

But be warned these topics are vast in scope and if you wish to really explore them then Supernatural serves only as an appetizer, and not the main course. For that you need to possibly belong to a mystery school, or have a vast library and infinite time to spend in pursuing your interests. And let us not ignore the very critical aspect of experience.

Nonetheless, Richard Smoley has written a very good book, and one that allows one to gain a grasp of some of the basics. At least as far as understanding is concerned.

But I think the real worth, for me comes in Richard's words that appear at the end of each chapter, where his experience and knowledge, humility and wisdom really shine through. I wont spoil it for you, other than to say, that Richard has a gift of putting things in their right place and in their right order. And that is far better than being led astray.

PDR.

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Rabu, 25 Maret 2015

[F390.Ebook] Download Architecture Transformed: A History of the Photography of Buildings from 1839 to the Present, by Cervin Robinson, Joel Herschman

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This magnificently illustrated book documents a history of style in the photography of buildings and a history of the art and technology of photography itself.

Sales Rank: #2325142 in Books
Published on: 1987-01-01
Original language: English
Number of items: 1
Binding: Hardcover
217 pages

From Library Journal
This book traces the history of an important genre of photography: that of buildings since 1839. Beautifully illustrated and thoughtfully written by two experts, it will become a standard work. Only Richard Pare's Photography and Architecture: 1839-1939 (MIT Pr., 1982) covers similar ground; it is luxuriously produced but carries less explanatory text. Robinson, a world-renowned photographer, and Herschman, an art historian, consider their subject from so many angles that their work will interest a wide range of professionals and amateurs. Peter Kaufman, Suffolk Community Coll. Libs., Selden, N.Y.
Copyright 1987 Reed Business Information, Inc.

Review

"A volume whose photographs give aesthetic delight on almost every page and whose text is filled with information not readily available elsewhere, published in the large and sumptuous format it deserves."
—Brendan Gill, New Yorker

"Both exquisite and incisive, tracing not only the development of photography itself but the subtle ways in which photography has shaped our culture's attitudes toward buildings. Architecture Transformed is the rare largeformat book: the elegance of its design is matched by the significance of its text."
—Paul Goldberger, New York Times Book Review

"A large, gorgeous book, the kind to page through again and again."
—Boston Globe

Most helpful customer reviews

0 of 0 people found the following review helpful.
Excellent book!
By Filomena Daleandro
Gorgeous photography! Very insightful! Splendid images and text. Excellent book!!!

2 of 2 people found the following review helpful.
Insightful history, great images, somewhat crochety finish and unwieldy shape.
By brad
A beautifully produced book with a great history of architectural photography. The essays are clearly written and well-reasoned, and Mr. Herschman's path through the beginnings of the field, connecting folks I wouldn't have immediately fingered as architectural photographers, was a great read. Unfortunately, as we approach the contemporary (or contemporary for the date of publication), Mr. Robinson gets rather grouchy-old-man on the new photographers, somehow finding William Clift's brilliant juxtaposition of a new international style mirrorglass skyscraper and the more classical/beaux arts courthouse it reflects and fragments a failure, as it does not particularly document for us what the courthouse looks like. There are also no plates in color, a great omission.

However, the book is beautifully printed otherwise, and (with those few crochety moments aside) very well written. A last minor gripe is the proportion of the volume. Large and nearly square, reading it would be greatly aided by a lectern; it sits in the hand with all the grace of a beached octopus.

0 of 1 people found the following review helpful.
Five Stars
By wendy4018
Beautiful images, great text

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Senin, 16 Maret 2015

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Developed with the IB for the 2009 syllabus at SL and HL, this fully comprehensive course book is packed with topical case studies to drive critical thought. Written by two IB senior examiners, it seamlessly integrates the learner profile and includes skills development and fieldwork support, for optimal achievement.

· Developed with the IB so you can trust in the most comprehensive and accurate match to IB specifications
· Written by experienced IB workshop leaders and teachers to exactly match the latest syllabus
· Current, international case studies connect learning to global issues, fostering globally-aware learners
· Integrated TOK truly aligns content with the IB philosophy, driving critical thinking
· Dedicated skills development chapter, with fieldwork opportunities supports the strongest attainment
· Research links develop strong research skills, tangibly building independent thought

About the Series:
Oxford's IB Diploma Course Books are essential resource materials designed in cooperation with the IB to provide students with extra support through their IB studies. Course Books provide advice and guidance on specific course assessment requirements, mirroring the IB philosophy and providing opportunities for critical thinking.

Sales Rank: #229856 in Books
Brand: Brand: Oxford University Press, USA
Published on: 2012-10-25
Original language: English
Number of items: 1
Dimensions: 8.60" h x .70" w x 10.80" l, .0 pounds
Binding: Paperback
456 pages

Features

Used Book in Good Condition

Review
"All the necessary content is there in an accessible format, enriched with links to ToK and the requirements for the Internal Assessment." --Richard Allaway, International School of Geneva and author of geographyalltheway.com

"I think Nagle is the master of textbooks and I would recommend his publication over any others any day." --Geography Teacher, Hong Kong

"The Oxford IB course books are the best ever resource for both teachers and students. They are practical, insightful and fully in line with the IB Course outcomes." --Pat Hanson, IB Coordinator, Academy of the Holy Cross, USA

"All of the Oxford IB course books are terrific." --Carolyn Hawkins, IB Coordinator, Cookeville High School, USA

"We have adopted most of the Oxford course books for our school. We find them well written, well linked to TOK issues and age appropriate." --Sheta Saha, IB Coordinator, Chatsworth International School, Singapore

About the Author
Garrett Nagle is Head of Geography at St. Edward's School at Oxford.

Most helpful customer reviews

0 of 2 people found the following review helpful.
One Star
By Chia Yee Xin
The books seem old.

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Jumat, 13 Maret 2015

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General Edward Porter Alexander was the master gunner of the Confederacy, and undeniably one of the great American artillerists. He was involved in nearly all of the great battles of the East, from First Manassas through Appomattox; on the second day at Gettysburg, Alexander’s battalion executed one of the greatest artillery charges of the war; Longstreet relied upon him for reconnaissance, and Stonewall Jackson wanted him made an infantry general.

Sales Rank: #2013889 in Books
Published on: 1993-03-22
Original language: English
Number of items: 1
Dimensions: 8.00" h x 1.52" w x 5.00" l, 1.54 pounds
Binding: Paperback
664 pages

Features

ISBN13: 9780306805097
Condition: New
Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From the Back Cover
This book was published in 1907 and immediately recognized as a classic. Unlike 'Fighting for the Confederacy, ' which was based largely on Alexander's own recollections, 'Military Memoirs of a Confederate' relies on a vast amount of research. It is undoubtedly the most accurate and most important first-hand general history of the Civil War.

About the Author
General Edward Porter Alexander (1835-1910) was Robert E. Lee’s artillery commander for most of the Civil War. After the Confederate surrender, he served as an executive at various railroad companies and became a respected author. He died in Savannah, Georgia.

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0 of 0 people found the following review helpful.
Combat leadership Gen Lee
By Dave Marshall. a masterpiece
From this book it is clear the Confederacy could not win the Civil War. Lee's skill as a General simply made it possible for the war to last longer and resulted in vastly more soldiers killed on both sides 750,000 killed The carnage was incredible Lee must have had a vendetta against someone to stand by and watch the killing knowing he could not win and no country in their right mind would side with the South. He was praised as a hero sustaining this slaughter for 2 years 9 months. Again from this book it is crystal clear the South could not win.

0 of 0 people found the following review helpful.
WHOSE TO BE BLAMED OR BE PRAISED !
By Donald W. Thaxton
The author writes a good accessment of the battles he was a part of during the war. He places blame or praise to the ones he believes should receive it. Even blames the grand leader, (Robert E. Lee) when he thinks it is deserved. It is explained in the book why he feels the way he does. Sometimes he gets detailed and would probebly bore the novice but for someone who is into the Civil War it's a great read.

0 of 0 people found the following review helpful.
Compelling Insights
By Mike Sorohan
Alexander provide a critical analysis of many of the major battles of the Civil War from an officer's perspective. He is not sparing of criticism of some of the biggest names in the War, including his beloved Gen. Robert E.Lee. His eyewitness account of the negotiations leading to Lee and Grant's meeting at Appomattox is insightful and compelling.

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Selasa, 03 Maret 2015

[T140.Ebook] Ebook Alla Prima II Everything I Know about Painting--And More, by Richard Schmid with Katie Swatland

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JUST RELEASED September, 2013, Alla Prima II is a direct response to the remarkable success of the earlier book, Alla Prima, which went into thirteen printings after it was published in 1998. This new volume includes all of the information contained in the original printings, and all material has been extensively revised for increased clarity. It has also been considerably expanded to provide a much broader frame of reference in each of the critical aspects of painting. As with the original Alla Prima, this book offers to the artist and art lover alike the wisdom and technical savvy which comes from a classical education and a lifetime of painting and teaching. Writing as an acknowledged master, Richard gracefully leads his reader through the subtleties of painting theory and technique with refreshing directness and unmatched technical authority. With an emphasis on painting from life, he writes with warm humor about the joys and trials of being an artist. He brings to life the romance of Bravura painting and examines the mysteries of color in fascinating detail. A new view of design is offered, along with insights into the thinking of the great Masters. The virtuosity that painters strive for is presented as an attainable goal, but he also tells us what to do when everything goes wrong. Above all Richard writes with deep affection to all who strive for self-expression, regardless of their level of skill. He shares his own struggle from art school to the present, and offers the things he has learned with the hope that his reader may enjoy the same journey of discovery. Lavishly illustrated, Alla Prima II provides a unique overview of the rich historical background and underlying theoretical ideas of Direct painting, while examining in detail all of its technical problems and solutions. It also covers the full range of artistic subject matter and reveals the one thing a painter must know to capture it all. 328 pages. 262 color images.

Sales Rank: #110035 in Books
Brand: F+W Media
Published on: 2013
Binding: Paperback
328 pages

Most helpful customer reviews

88 of 92 people found the following review helpful.
Yes... BUT!
By Professor Emeritus P. Bagnolo
Yes... BUT! I have the original Alla Prima, as well as his book on figure painting, and the new book. But here is the rub:

I too was a student at The American academy of art, many years after Richard Schmidt graduated, and I studied figure and anatomy with Sala, Bill Mosby, and others 5 days a week, 3 hrs a day and twice that in summer studying the Academies great nude models for 2.5 years after similar study in Under graduate and before graduate school. I also became a professional figure painter and Professional figure and portrait artist.

Thanks to books like Richard Schmidt's, early book on figure painting and the original Alla Prima, I was able enjoy his art and l benefited by buying many books of the old Masters. I always enjoyed Richard Schmidt's work. However, I must say that he must remember how we all struggled to afford supplies, as we sought the books of the masters, of which I now have hundreds of copies, and in those days I often found great bargains. That being said, however, in today's world student debt is out of sight, and the current cost of the new Alla Prima book places it well out of the reach of 98% of students.

I suggest that the publisher and Richard think about creating a less expensive version for students. Right now, the price of Alla Prima 2, is high as it is, but what is worse is that the carpetbaggers are driving the prices even higher, and far out of the range of those studying art, and even high enough that many colleges are not as eager to buy such books for their own collections.

I know, someone will say "Let them eat Cake..." meaning go to a library. Well right now students are say the waiting lists are backed up for months, and I verified that.

Professor Peter Bagnolo

77 of 86 people found the following review helpful.
be very cautious!
By Chris Gargan
Mr. Schmid is a graceful and confident painter who has created an army of followers seduced by the apparent ease with which he executes his work. Anyone who has watched his videos or seen his exhibitions (in particular the Butler show), can be easily fooled into thinking that what he accomplishes with such alacrity is easily attainable. It is not! And the often unspoken part of his craft is his astonishingly deft draughtsmanship. Each mark, so carefully considered and assessed, is a consequence of a lifetime of observational drawing. And it is the quality most often ignored by artists delving into this book (and his others) looking for technical solutions.
This is dangerous stuff for the developing artist who can become enraptured with methods that result in glib formula in the hands of less gifted practitioners.

23 of 24 people found the following review helpful.
Richard Schmid
By chiaroscuro
Well worth the price even if you have his first book. It is the bible for any serious painter and a book I go to constantly as a reference for crucial information.

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Sales Rank: #6956226 in Books
Published on: 1997
Binding: Staple Bound
68 pages

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Sabtu, 21 Februari 2015

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Binding: Hardcover

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[N955.Ebook] Get Free Ebook Encaustic Art: The Complete Guide to Creating Fine Art with Wax, by Lissa Rankin

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With a history that stretches back to the hauntingly beautiful mummy portraits of Greco-Roman Egypt, encaustic art is now enjoying a renewal of popularity among artists and art lovers alike. Today, museums are staging exhibitions of encaustic art, workshops in the technique are thriving, and art collectors and dealers are assimilating encaustic art into their collections and galleries.

The word encaustic is taken from the Greek and means “to burn in.” In the encaustic process, pigmented wax is applied and then fused to a surface with heat. The result is a broad range of surface effects and a luminous translucency that is unique to the encaustic medium. Encaustic Art is a complete resource for artists who wish to learn to create fine art with wax. It features step-by-step techniques with easy-to-understand instructions and detailed illustrations, stunning examples of encaustic works of art (including sculpture), along with practical advice and thoughtful aesthetic observations from more than 60 professional artists working in the encaustic medium.

Sales Rank: #73189 in Books
Brand: Random House
Published on: 2010-08-10
Released on: 2010-08-10
Original language: English
Number of items: 1
Dimensions: 10.90" h x .68" w x 8.58" l, 2.11 pounds
Binding: Paperback
240 pages

Features

Used Book in Good Condition

About the Author
LISSA RANKIN’s encaustic paintings and sculptures are represented in prestigious galleries and museums in San Francisco, Washington, D.C., and Atlanta. During her artistic career, she has developed an international reputation as an expert on encaustic and has been invited by a variety of art schools, conferences, workshops, and artists’ retreats to speak on encaustic art. Trained as an OB/GYN physician, her art reflects life’s events, such as birth and loss, and her continued work as a physician breathes life into her art.

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35 of 35 people found the following review helpful.
My favorite Encaustic Book
By SUMMER
A 5 star plus. Although the other encaustic books I've read have also been wonderful, none compare to the information found in Encautic Art by Lissa Rankin. Because I spent my $$$ on paint and supplies instead of the $600. plus travel costs to take a good encaustic class, I had to become very informed before starting. (I wouldn't recommend this unless you are the kind that knows you can pull it off.) I still had many questions that remained unanswered until I read Encaustic Art. It's beneficial to have an array of encaustic books and info., but this will be the book you will go back to review the most.
It's been hard holding off the inspirations with having to learn a new medium but after much study I feel secure and excited to begin to paint; my first project being on 30" x 30" encausticbord. My industrial fan is being installed in my art room and the electrical checked to make sure it can handle the output of all the heating appliances; fire extingusher in place. A word on safety: I had my own stained glass business for 18 years and cannot stress the importance of re-reading the safety section of this book. I got a lot of toxins from my last job so always remember nothing is more important than your health. Thank you Lissa for sharing your encaustic knowledge. I appreciate your hard work. You have put together an excellent book!

32 of 32 people found the following review helpful.
Great book!
By Dianne Erickson
This book has it all, beautiful photos, great basic information, and the usual encaustic techniques but it goes much further. Using wax for sculpture, printmaking and much more. The quality of the book is really good too, nice paper and lots of great color photos. If you want to learn the basics, or expand your work in wax, I totally recommend this book. You won't be disappointed.

44 of 46 people found the following review helpful.
Fantastic Encaustic Book
By C. Klich
This book is for the beginner as well as the professional encaustic artist. It offers so many ideas and great photos. Many techniques are covered along with a wealth of ideas that I haven't even thought of yet. I am a professional artist and instructor and will definitely recommend this book to my students. There are gallery shots as well as close-up details photos and artists working in their studio. I would love to see a companion book to this one that goes into even more detail on the techniques. Great work Lissa!

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Jumat, 30 Januari 2015

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Book by Wade B. Cook

Sales Rank: #1273356 in Books
Brand: Brand: Lighthouse Publishing Group
Published on: 2001-10-01
Original language: English
Number of items: 1
Dimensions: .97" h x 6.26" w x 9.42" l, 1.24 pounds
Binding: Hardcover
248 pages

Features

Used Book in Good Condition

Most helpful customer reviews

42 of 43 people found the following review helpful.
I just finished reading it - pretty good book
By A Customer
And in particular, really enjoyed thesections on how to make better entrance and exit points and how to buy stocks wholesale.Very good book Wade. I'm looking forward to turning this knowledge into ca$h!

36 of 37 people found the following review helpful.
Wade did it again! Another winner!
By A Customer
In fact, I like this book better than all of Wades other books. More meat. Less hyping the seminars. Take advantage of market momentum. I'm making money already with this book.

16 of 16 people found the following review helpful.
Brilliant! A outstanding book.
By Ronnie Trailor
What impresses me about Wade Cook is that he teaches you to think for yourself. Stock brokers want you to think that you can't do it without them. If you end up listening to your broker (average brokers) you usually end up broker. No wonder so many dissatisfied investors are suing those guys.
According to a article in USA Today, 87% of people get investing advice from friends, neighbors and relatives and only 13% get advice from brokers and financial planners. The article went on to say that the 13% who got "professional" "expert" advice from financial planners, brokers and advisors wished they had listened to their friends, neighbors and relatives instead.
Why the complaints against Wade? For one thing, he is a rich,easy target. Notice nobody tries to sue a broke person do they? Another reason is that some people are looking for an out. Buyer remorese is common with all types of financial products and programs.
The genuis behind Wade Cook is his ability to take the difficult and communicate that in an easy to understand way. And just think, Wade Cook's real passion is basketball. If he ever focused strictly on the stock market he would really be dangerous.
Red Light Green Light is an excellent book. With the stock market starting to buzz again, this book should be at your side before making any trade. I also recommend Wall Street Money Machine Vol 1, Wall Street Money Machine Vol. 2 (Stock Market Miracles) and 2 Bad Years and Up We Go which is an excellent book to show you how to trade when the markets are acting like they are right now...in a range.
The cost of these books is about the same cost as four trades with your broker and if you listen to Wade, you will actually end up richer, not broker.

See all 37 customer reviews...

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Everybody is talented, original and has something important to say.

And it may comfort you to know that the only people you might suspect of not having talent are those who write very easily and glibly, and without inhibition or pain, skipping gaily through a novel in a week or so. These are the only ones who did not seem to improve much, to go forward. You cannot get much out of them. They give up working presently and drop out. But these, too, were talented underneath. I am sure of that. It is just that they did not break through the shell of easy glibness to what is true and alive underneath--just as most people must break through a shell of timidity and strain.

Everybody Is Talented

Everybody is talented because everybody who is human has something to express. Try not expressing anything for twenty-four hours and see what happens. You will nearly burst. You will want to write a long letter or draw a picture or sing, or make a dress or a garden. Religious men used to go into the wilderness and impose silence on themselves, but it was so that they would talk to God and nobody else. But they expressed something: that is to say they had thoughts welling up in them and the thoughts went out to someone, whether silently or aloud.

Writing or painting is putting these thoughts on paper. Music is singing them. That is all there is to it.

Everybody Is Original

Everybody is original, if he tells the truth, if he speaks from himself. But it must be from his true self and not from the self he thinks he should be. Jennings at Johns Hopkins, who knows more about heredity and the genes and chromosomes than any man in the world, says that no individual is exactly like any other individual, that no two identical persons have ever existed. Consequently, if you speak or write from yourself you cannot help being original.

Sales Rank: #347084 in eBooks
Published on: 2010-04-21
Released on: 2010-04-21
Format: Kindle eBook

Amazon.com Review
This book so speaks to the contemporary writer that it is nearly impossible to believe that it was originally published in 1938. In If You Want to Write, Brenda Ueland sets forth not just a philosophy about how to write or how to create, but also about how to live. Beginning writers will certainly be encouraged by Ueland's words, but even the most experienced have much to glean from Ueland's simple wisdom. "Everybody," writes Ueland in the opening chapter, "is talented, original, and has something important to say." Finding that something important involves embracing creative idleness ("the imagination needs moodling--long, inefficient, happy idling, dawdling and puttering"), freeing "what we really think, from what we think we ought to think," and "thumb[ing] your nose at all know-it-alls, jeerers, critics, doubters." One must think, she says, "of telling a story, not of writing it." And when revising one's writing, she advises, "do not try to think of better words, more gripping words.... It is not yet deeply enough imagined." Finally, "whenever you find yourself writing a single word or phrase or page dutifully and with boredom, then leave it out.... If what you write bores you, it will bore other people." And just because If You Want to Write is passionate, sincere, and even spiritual, do not think it is not also witty. One footnote bluntly declaims, "No doubt my terms would horrify a psychologist but I do not care at all." Elsewhere Ueland titles a chapter "Why Women Who Do Too Much Housework Should Neglect It for Their Writing." Amen, sister!

From Publishers Weekly
Ueland argues that anyone can write well once the imagination is freed from self-consciousness, anxiety and fear of failure. This is a fresh and vivid approach to creative endeavors.
Copyright 1987 Reed Business Information, Inc.

Review
"It's a perfect book for both beginning and advanced writing students. It's wonderfully inspirational and can be coupled with just about any teaching technique."—Erin Cressida Wilson, Duke University

"The finest book written on the art and spirit of writing."—Shann Ferch, Gonzaga University (Spokane, WA)

"I have consistently used If You Want to Write for eight years now in English 241, and the students have loved it every semester."—Mel Livatino, Truman College (Chicago, IL)

"If You Want to Write does a superb job of reassuring student writers whose schooling has often robbed them of any confidence in their own voices. Nothing else I know does a better job of explaining to first-year college students the necessity of passion in the writer."—Shelby Grantham, Dartmouth College

"I was with [Ueland] right up to the end and wanted to shout, 'Amen.'"—Andrei Codrescu, poet, author, and National Public Radio commentator

"I only have to read a few sentences and I am infected with the desire to follow her."—Women's Review of Books

Most helpful customer reviews

354 of 359 people found the following review helpful.
The book of a lifetime
By Nigey Lennon (nigella@earthlink.net)
I found this book by accident while browsing through a now-defunct Los Angeles bookstore/cafe. It was the luckiest accident of my life. At that point I had been a professional writer for more than twenty years, but I rarely enjoyed my work, and I felt all of it was disposable in one way or another. At first, reading "If You Want to Write" gave me an incredible, if unfamiliar, feeling of joy and self-confidence. Afterwards, I began to surprise the hell out of myself in terms of what I was able to accomplish. This simply written book states some of the most profound truths about life and creativity I have ever read. Whenever I get stuck on a project I go back and re-read it, and its warmth, generosity, and brilliance always inspire me to go on. It should almost be titled "If You Want to Live", because far more than being a how-to book on writing, it makes an eloquent argument that we all can live creative lives as long as we're true to ourselves.

142 of 147 people found the following review helpful.
This Book Led Me to EPIPHANY
By Theresa Williams
I will admit from the start that this book is not for everyone. It won't appeal to all writers and artists. However, I believe the book was written for people who are looking for a way to lead an authentic life and to achieve authenticity in their art. As with Natalie Goldberg's WRITING DOWN THE BONES, this book feels as though it was written just for me, and that's the true beauty of IF YOU WANT TO WRITE. If the book speaks to you, as it did to me, you may find yourself having the first great epiphany of your artistic life. Her book sits in a prominent place in my home and in my heart. I have read it many times and underlined countless passages. As I struggled to finish my first book, I looked to Ueland for support and confidence. By far the two most memorable passages for me are the one in which she describes a time she was playing the piano and was told her playing wasn't "going anywhere." She then discusses the relationship that MUST exist between the artist and the person experiencing the art. (Her philosophy is strongly influenced by the observations of Tolstoy.) She points out that this relationship is necessary in order for us to produce meaningful art. The second passage that is extremely meaningful to me is related to the first passage. She describes the time Vincent Van Gogh wrote a letter to his brother and drew a tender image of a streetlight that he was looking at outside his window. The drawing is beautiful because it came out of his intense love for his brother and his desire to share something beautiful with him, not from a desire for recognition or fame. This is what Ueland means by authenticity, which she, like Blake, connects to the divine source existing within each individual. This book changed forever the way I view the artistic expression.

70 of 72 people found the following review helpful.
Read it 'til you can't anymore
By Jeremy
Read this book. Read it all the way through. You might say to yourself "this is juvenile. This is naïve." But read it. Press on. Read it thoroughly. Set your mind on "accept" and let the book be right all the time.
Then, read it again. Keep reading it when you are not writing. Randomly pick a page and start. Read it out of order. Perhaps you'll find the Blake, or the Van Gogh; one of her students, or one of her tirades against the niggardly busy-busy world. Read it while watching T.V.(but not while driving a car!)
Soon, you just can't read it anymore. Because it's tedious? Because you've memorized it? Because its pages are stained with finger oil and falling apart?
Because you will be too damn busy furiously writing. And rewriting, then writing again. You will fear--with a creaky feeling in your gut--that a short break may jettison the idea you're blessed with off into the unexpressed void, then banish the next one, and the next one, like a home-run slugger on a roll at batting practice, all which demand permanence--because they all got that something. And you don't dare stop typing (at 75 W.P.M, with pauses of concentrated, exacting thought between) because you must, you absolutely soulfully must, capture this thought perfectly, then quickly move on to the next antsy thought tapping its toe impatiently behind, before it gets insulted and walks out to planet nowhere in a huff.
So read it. And I hope you read it so much that you just don't have the time to read it anymore, and it is gathering dust while your page is gathering words.

See all 215 customer reviews...

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