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Book by Wade B. Cook

• Sales Rank: #1273356 in Books
• Brand: Brand: Lighthouse Publishing Group
• Published on: 2001-10-01
• Original language: English
• Number of items: 1
• Dimensions: .97" h x 6.26" w x 9.42" l, 1.24 pounds
• Binding: Hardcover
• 248 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

42 of 43 people found the following review helpful.
I just finished reading it - pretty good book
By A Customer
And in particular, really enjoyed thesections on how to make better entrance and exit points and how to buy stocks wholesale.Very good book Wade. I'm looking forward to turning this knowledge into ca$h!

36 of 37 people found the following review helpful.
Wade did it again! Another winner!
By A Customer
In fact, I like this book better than all of Wades other books. More meat. Less hyping the seminars. Take advantage of market momentum. I'm making money already with this book.

16 of 16 people found the following review helpful.
Brilliant! A outstanding book.
By Ronnie Trailor
What impresses me about Wade Cook is that he teaches you to think for yourself. Stock brokers want you to think that you can't do it without them. If you end up listening to your broker (average brokers) you usually end up broker. No wonder so many dissatisfied investors are suing those guys.
According to a article in USA Today, 87% of people get investing advice from friends, neighbors and relatives and only 13% get advice from brokers and financial planners. The article went on to say that the 13% who got "professional" "expert" advice from financial planners, brokers and advisors wished they had listened to their friends, neighbors and relatives instead.
Why the complaints against Wade? For one thing, he is a rich,easy target. Notice nobody tries to sue a broke person do they? Another reason is that some people are looking for an out. Buyer remorese is common with all types of financial products and programs.
The genuis behind Wade Cook is his ability to take the difficult and communicate that in an easy to understand way. And just think, Wade Cook's real passion is basketball. If he ever focused strictly on the stock market he would really be dangerous.
Red Light Green Light is an excellent book. With the stock market starting to buzz again, this book should be at your side before making any trade. I also recommend Wall Street Money Machine Vol 1, Wall Street Money Machine Vol. 2 (Stock Market Miracles) and 2 Bad Years and Up We Go which is an excellent book to show you how to trade when the markets are acting like they are right now...in a range.
The cost of these books is about the same cost as four trades with your broker and if you listen to Wade, you will actually end up richer, not broker.

See all 37 customer reviews...

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Everybody is talented, original and has something important to say.

And it may comfort you to know that the only people you might suspect of not having talent are those who write very easily and glibly, and without inhibition or pain, skipping gaily through a novel in a week or so. These are the only ones who did not seem to improve much, to go forward. You cannot get much out of them. They give up working presently and drop out. But these, too, were talented underneath. I am sure of that. It is just that they did not break through the shell of easy glibness to what is true and alive underneath--just as most people must break through a shell of timidity and strain.

Everybody Is Talented

Everybody is talented because everybody who is human has something to express. Try not expressing anything for twenty-four hours and see what happens. You will nearly burst. You will want to write a long letter or draw a picture or sing, or make a dress or a garden. Religious men used to go into the wilderness and impose silence on themselves, but it was so that they would talk to God and nobody else. But they expressed something: that is to say they had thoughts welling up in them and the thoughts went out to someone, whether silently or aloud.

Writing or painting is putting these thoughts on paper. Music is singing them. That is all there is to it.

Everybody Is Original

Everybody is original, if he tells the truth, if he speaks from himself. But it must be from his true self and not from the self he thinks he should be. Jennings at Johns Hopkins, who knows more about heredity and the genes and chromosomes than any man in the world, says that no individual is exactly like any other individual, that no two identical persons have ever existed. Consequently, if you speak or write from yourself you cannot help being original.

• Sales Rank: #347084 in eBooks
• Published on: 2010-04-21
• Released on: 2010-04-21
• Format: Kindle eBook

Amazon.com Review
This book so speaks to the contemporary writer that it is nearly impossible to believe that it was originally published in 1938. In If You Want to Write, Brenda Ueland sets forth not just a philosophy about how to write or how to create, but also about how to live. Beginning writers will certainly be encouraged by Ueland's words, but even the most experienced have much to glean from Ueland's simple wisdom. "Everybody," writes Ueland in the opening chapter, "is talented, original, and has something important to say." Finding that something important involves embracing creative idleness ("the imagination needs moodling--long, inefficient, happy idling, dawdling and puttering"), freeing "what we really think, from what we think we ought to think," and "thumb[ing] your nose at all know-it-alls, jeerers, critics, doubters." One must think, she says, "of telling a story, not of writing it." And when revising one's writing, she advises, "do not try to think of better words, more gripping words.... It is not yet deeply enough imagined." Finally, "whenever you find yourself writing a single word or phrase or page dutifully and with boredom, then leave it out.... If what you write bores you, it will bore other people." And just because If You Want to Write is passionate, sincere, and even spiritual, do not think it is not also witty. One footnote bluntly declaims, "No doubt my terms would horrify a psychologist but I do not care at all." Elsewhere Ueland titles a chapter "Why Women Who Do Too Much Housework Should Neglect It for Their Writing." Amen, sister!

From Publishers Weekly
Ueland argues that anyone can write well once the imagination is freed from self-consciousness, anxiety and fear of failure. This is a fresh and vivid approach to creative endeavors.
Copyright 1987 Reed Business Information, Inc.

Review
"It's a perfect book for both beginning and advanced writing students. It's wonderfully inspirational and can be coupled with just about any teaching technique."—Erin Cressida Wilson, Duke University

"The finest book written on the art and spirit of writing."—Shann Ferch, Gonzaga University (Spokane, WA)

"I have consistently used If You Want to Write for eight years now in English 241, and the students have loved it every semester."—Mel Livatino, Truman College (Chicago, IL)

"If You Want to Write does a superb job of reassuring student writers whose schooling has often robbed them of any confidence in their own voices. Nothing else I know does a better job of explaining to first-year college students the necessity of passion in the writer."—Shelby Grantham, Dartmouth College

"I was with [Ueland] right up to the end and wanted to shout, 'Amen.'"—Andrei Codrescu, poet, author, and National Public Radio commentator

"I only have to read a few sentences and I am infected with the desire to follow her."—Women's Review of Books

Most helpful customer reviews

354 of 359 people found the following review helpful.
The book of a lifetime
By Nigey Lennon (nigella@earthlink.net)
I found this book by accident while browsing through a now-defunct Los Angeles bookstore/cafe. It was the luckiest accident of my life. At that point I had been a professional writer for more than twenty years, but I rarely enjoyed my work, and I felt all of it was disposable in one way or another. At first, reading "If You Want to Write" gave me an incredible, if unfamiliar, feeling of joy and self-confidence. Afterwards, I began to surprise the hell out of myself in terms of what I was able to accomplish. This simply written book states some of the most profound truths about life and creativity I have ever read. Whenever I get stuck on a project I go back and re-read it, and its warmth, generosity, and brilliance always inspire me to go on. It should almost be titled "If You Want to Live", because far more than being a how-to book on writing, it makes an eloquent argument that we all can live creative lives as long as we're true to ourselves.

142 of 147 people found the following review helpful.
This Book Led Me to EPIPHANY
By Theresa Williams
I will admit from the start that this book is not for everyone. It won't appeal to all writers and artists. However, I believe the book was written for people who are looking for a way to lead an authentic life and to achieve authenticity in their art. As with Natalie Goldberg's WRITING DOWN THE BONES, this book feels as though it was written just for me, and that's the true beauty of IF YOU WANT TO WRITE. If the book speaks to you, as it did to me, you may find yourself having the first great epiphany of your artistic life. Her book sits in a prominent place in my home and in my heart. I have read it many times and underlined countless passages. As I struggled to finish my first book, I looked to Ueland for support and confidence. By far the two most memorable passages for me are the one in which she describes a time she was playing the piano and was told her playing wasn't "going anywhere." She then discusses the relationship that MUST exist between the artist and the person experiencing the art. (Her philosophy is strongly influenced by the observations of Tolstoy.) She points out that this relationship is necessary in order for us to produce meaningful art. The second passage that is extremely meaningful to me is related to the first passage. She describes the time Vincent Van Gogh wrote a letter to his brother and drew a tender image of a streetlight that he was looking at outside his window. The drawing is beautiful because it came out of his intense love for his brother and his desire to share something beautiful with him, not from a desire for recognition or fame. This is what Ueland means by authenticity, which she, like Blake, connects to the divine source existing within each individual. This book changed forever the way I view the artistic expression.

70 of 72 people found the following review helpful.
Read it 'til you can't anymore
By Jeremy
Read this book. Read it all the way through. You might say to yourself "this is juvenile. This is naïve." But read it. Press on. Read it thoroughly. Set your mind on "accept" and let the book be right all the time.
Then, read it again. Keep reading it when you are not writing. Randomly pick a page and start. Read it out of order. Perhaps you'll find the Blake, or the Van Gogh; one of her students, or one of her tirades against the niggardly busy-busy world. Read it while watching T.V.(but not while driving a car!)
Soon, you just can't read it anymore. Because it's tedious? Because you've memorized it? Because its pages are stained with finger oil and falling apart?
Because you will be too damn busy furiously writing. And rewriting, then writing again. You will fear--with a creaky feeling in your gut--that a short break may jettison the idea you're blessed with off into the unexpressed void, then banish the next one, and the next one, like a home-run slugger on a roll at batting practice, all which demand permanence--because they all got that something. And you don't dare stop typing (at 75 W.P.M, with pauses of concentrated, exacting thought between) because you must, you absolutely soulfully must, capture this thought perfectly, then quickly move on to the next antsy thought tapping its toe impatiently behind, before it gets insulted and walks out to planet nowhere in a huff.
So read it. And I hope you read it so much that you just don't have the time to read it anymore, and it is gathering dust while your page is gathering words.

See all 215 customer reviews...

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[I202.Ebook] Download PDF Harry Potter -- Sheet Music from the Complete Film Series: Easy PianoFrom Alfred Music

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With the Harry Potter film series now complete, Alfred Music and Warner Bros. Entertainment are proud to present easy piano arrangements from the eight epic films together in one collectible volume. For the first time ever, 37 sheet music selections by John Williams, Patrick Doyle, Nicholas Hooper, and Alexandre Desplat are collected along with eight pages of color stills from The Sorcerer's Stone to The Deathly Hallows, Part 2. By popular request, "Leaving Hogwarts" from The Sorcerer's Stone appears in print in this collection for the first time. It's a perfect gift for pianists of all ages who love the music of Harry Potter. Titles: Diagon Alley * Family Portrait * Harry's Wondrous World * Hedwig's Theme * Leaving Hogwarts * Nimbus 2000 * Voldemort * The Chamber of Secrets * Fawkes the Phoenix * Buckbeak's Flight * Double Trouble * Hagrid the Professor * Harry in Winter * Hogwarts March * Potter Waltz * This Is the Night * Dumbledore's Army * Fireworks * Loved Ones and Leaving * Professor Umbridge * Dumbledore's Farewell * Harry and Hermione * In Noctem * When Ginny Kissed Harry * Farewell to Dobby * Godric's Hollow Graveyard * Harry and Ginny * Obliviate * Ron Leaves * Snape to Malfoy Manor * Courtyard Apocalypse * Harry's Sacrifice * Lily's Lullaby * Lily's Theme * A New Beginning * Severus and Lily * Statues.

• Sales Rank: #17147 in Books
• Brand: Alfred Music
• Model: 00-39075
• Published on: 2012-03-01
• Original language: English
• Number of items: 1
• Dimensions: 11.50" h x 8.75" w x .25" l, 1.02 pounds
• Binding: Paperback
• 140 pages

Most helpful customer reviews

22 of 24 people found the following review helpful.
some good some bad
By E. Garrison
My biggest complaint about this book is that most of the songs are very painfully simple. A beginner pianist would probably enjoy these more than I did... That being said a lot of the songs are still very pretty. Just wish they were a little more challenging for a 'piano solo' book. Probably should be called 'easy piano'.

10 of 10 people found the following review helpful.
Amazingly Cheap Collectors Item ... but missing one very crucial piece.
By Adam
With the addition of the never before published "Leaving Hogwarts," this product is phenomenal. They truly chose the best pieces of each movie, however, A "Window to the Past" from Prisoner of Azkaban is missing. For some, Prisoner of Azkaban is the best score, and this product definitely plays tribute to "Double Trouble" but misses out on the other great theme of the third movie.
There are a bunch of selections from the first movie, then the second and third get ripped off. There is the great Spider theme from Chamber of Secrets, along with "Gilderoy Lockhart" and the "Flying Car" that are missing. But apart from the absence of these pieces, this product is a great buy. Retail on each individual movie's sheet music is $15, this book is less than $20 and comes with the best of the Harry Potter scores (for the most part).
I recommend it to every Harry Potter fan, especially for the price. Even if you don't play piano or read sheet music, it is amazing just to have the complete collection in one book for such a great price.

44 of 54 people found the following review helpful.
Impossible to glean information from reviews....
By Coral Sue
Truly impossible to pick an appropriate piano book to play & enjoy, either for oneself or one's student, if you can not see an example of the music!!!

These reviews are worthless. A 13 year old who has played for 2 years could be playing Bach 2 part inventions, or still pecking away at Alfreds Complete Adult Method, Level II.

I have also noticed over the years, that some publishing company will claim their collection is suitable for beginne & /or easier piano, only to find that their measures & notes are larger, containing fewer notes, & the music is printed with biiiigggg not and spaces between each note, while the notes chosen still move with monstrous, unnatural, improbable leaps & sometimes less than harmonous intervals. I believe this is technique is actually HARDER for a beginning pianist, requiring them to visually keep track of their note through more empty space filled with lines & spaces, before finding the next note, while the sound produced does not make sense to their listening ear. This skill being a more advanced special awareness & mature brain acumen.

PLEASE allow potential buyers to see several representative pages of EACH of the different pieces!!! No one would take the time to try to make up the middle of these pieces if you allowed them to see the beginning & end of a song, (for HEAVEN'S SAKE!!!)

A Potential Purchaser Cheryl

See all 57 customer reviews...

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One Sunday morning, Nick Blud, a successful Boston physician, is home in bed when he receives a phone call from Ada Kruk, the mother of a boyhood friend. Ada summons Nick back to his old Ukranian-American New Jersey neighborhood, where something unspeakable has just happened-exactly what, no one is willing to say. To find out, Nick sets off on a journey through the past, his own as well as that of Ada's son, Alex, who long has struggled to escape his family's legacy of violence.

A harrowing tale about friendship and love, America and the immigrant's dream, Ambassador of the Dead introduces Ada Kruk, a mother like no other, at once Mary and Medea, Sarah and Medusa. A study of ambitions gone awry and appetites too easily gratified, this novel is also an unflinching meditation on exile and assimilation and the price of love.

Dan Cryer of Newsday labeled Ambassador of the Dead “…Artistic gold” calling Melnyczuk “an able analyst of character and a superb storyteller.” And, Esquire magazine said “A novel so precise and understated it’s stunning.”

• Sales Rank: #1905579 in eBooks
• Published on: 2011-10-10
• Released on: 2011-10-10
• Format: Kindle eBook

From Publishers Weekly
This tale of Ukrainian immigrants' attempts at adjustment to life in America has a dreamy affect, but its undercurrent of emotional honesty gives it bite. Nick, a Boston doctor, is drawn back to his hometown of Elizabeth, N.J., by the news that his childhood friend Alex is in trouble although he does not yet know what kind of trouble. He finds first that Alex's mother, Ada, once vibrant and attractive, is now embittered, lonely and nearly blind. Nick reminisces about his past, focusing on memories of his friend for most of the book. As a child, Alex was mischievous, but eventually became more and more wild, due in part to his father's abuse and subsequent abandonment. Throughout the novel he is agitated by society and by his own psyche, gradually losing his sanity. Melnyczuk (What Is Told) writes exceedingly well-controlled miniature narratives that begin as soft-focus reveries and develop into darker tales that confidently clinch the attention and release it just as smoothly. One of Alex's mother's early lovers seems gentle during their initial courtship, then expresses sadomasochistic desires; she pursues another failed romance with an ‚migr‚ poet. Even the story of the narrator's marriage is laced with strife: his wife confesses that she had rejected his earliest advances because he was Ukrainian and she was Jewish. The book drifts in a Proustian fashion, vividly portraying the difficulties of cultural assimilation until the jarring conclusion. Recollections that might have fizzled in another author's hands here grow luminous and haunting.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
This ambitious, harrowing novel by AGNI editor Melnyczuk (What Is Told) tells of Ada Kruk, an innocent Ukrainian girl victimized by cruelty and violence during World War II. During the occupation of her homeland, Ada is brutally raped by a soldier one winter night on her way home from skating at a local pond. Soon after, her father is arrested and murdered by the occupying Nazis. The memories of these and other atrocities haunt Ada for the rest of her life long after the war ends and long after she immigrates to the United States and begins a family of her own. Battered and confused, Ada is a deeply tragic figure, and Melnyczuk tells her story with great sympathy and insight. As Ada's narrative unfolds, Melnyczuk also explores profound questions related to violence, the weight of the past, and the kind of pain from which it is impossible to recover. A very powerful and disturbing novel; recommended for all libraries. Patrick Sullivan, Manchester Community Coll., CT
Copyright 2001 Reed Business Information, Inc.

From Booklist
Nick Blud returns to his old New Jersey neighborhood at the request of Ada Kruk, the mother of a boyhood friend. Not ready to explain why she invited him, Ada stalls by recounting stories of the past. At Ada's insistence, Nick chronicles what he knows of the Kruk family history. After the family emigrated from the Ukraine, Ada and her sons found themselves abandoned by her husband. She took solace in the company of men and in speaking to the ghosts of her dead relatives. She was adamant regarding teaching her sons about the country they left behind, and mourned the life she could have had and the choices she should have made. But the history of the Kruk family isn't finished until Ada tells the final chapter, revealing the tragic reason she called on Nick. Through the story of the Kruks, Melnyczuk intelligently explores the problems of assimilation, the pain of war, and the fear of leaving the past behind, and he poignantly captures the disillusionment and disappointment when the American dream never materializes. Carolyn Kubisz
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

6 of 6 people found the following review helpful.
PROCESSING THE SINS AND PAIN OF THE PAST
By Larry L. Looney
We are each a storehouse of the accumulative pain that we have experienced, handed down to us by our parents and other significants -- how we recognize, view and process that pain draws the boundaries of the way in which we live our lives. Some people have a tougher time dealing with their past than others -- and when, as in the case of Nick Blud, the narrator of Askold Melnyczuk's dark, rich and extremely moving novel, that pain is multiplied by the suffering endured by his parents and grandparents, it's an almost insurmountable task. To make matters even more difficult for him, his parents -- Ukranian immigrants who have made a new life in America -- are reluctant to give many details about what they experienced in WWII in their homeland. This novel chronicles Nick's journey inward and backward to fill in the gaps in his family's past and come to terms with them. There are several characters in the novel who are making this journey -- and, indeed, aren't we all, to varying degrees? Each of them has their own discoveries to make, their own ghosts to exorcize, their own truths to define. Some of them are up to the challenge -- and some of them fail in devastating ways.
The mood of Melnyczuk's novel is dark -- but the writing is very rich, expressing the desperation and hope, the pain and joy, the terror and exultation in which his characters are awash. The emotions here run strong and deep, and they are honestly -- at times brutally so -- portrayed. A premise is expressed toward the end of the novel -- and this isn't a spoiling revelation, don't worry -- about the nature of darkness and light in our lives: 'Death, a writer once observed, is the dark backing a mirror needs if we are to see anything'. We need one in order to know and appreciate the other.
I found the novel to be modrately compelling for the first 100 pages -- then it picked up steam and held me unrelentingly in its grip for the duration of the story. The characterizations are full, developed vivdly, and memorable. This is one of the more unusual tales I've come across in the last year or so -- very entertaining on one level, and very instructive on another. I'll have to check out the author's earlier novel, WHAT IS TOLD -- I'm extremely impressed with the skills and style he has shown in this book.

5 of 5 people found the following review helpful.
WALKING WITH THE DEAD
By S. F Gulvezan
The narrator of Askold Melnyczuk's masterful novel, a successful physician, thinks that to a large extent he has escaped the past - the troubled lives of his Ukranian immigrant friends - and become successfully assimilated into the American dream of upward mobility. In the course of the novel he learns that the past is not like the pages of a photo album that you can leaf through when the spirit moves you; rather, it lives within you, influences and molds you, whether you want it to or not, and can spring out at you, like a tiger crouching in the bushes outside your sunny suburban home. A difficult theme, and Melnyczuk handles it well.

4 of 4 people found the following review helpful.
WALKING WITH THE DEAD
By S. F Gulvezan
The narrator of Askold Melnyczuk's masterful novel, a successful physician, thinks that to a large extent he has escaped the past - the troubled lives of his Ukranian immigrant friends - and become successfully assimilated into the American dream of upward mobility. In the course of the novel he learns that the past is not like the pages of a photo album that you can leaf through when the spirit moves you; rather, it lives within you, influences and molds you, whether you want it to or not, and can spring out at you, like a tiger crouching in the bushes outside your sunny suburban home. A difficult theme, and Melnyczuk handles it well.

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Banish math anxiety and give students of all ages a clear roadmap to success

Mathematical Mindsets provides practical strategies and activities to help teachers and parents show all children, even those who are convinced that they are bad at math, that they can enjoy and succeed in math. Jo Boaler—Stanford researcher, professor of math education, and expert on math learning—has studied why students don't like math and often fail in math classes. She's followed thousands of students through middle and high schools to study how they learn and to find the most effective ways to unleash the math potential in all students.

There is a clear gap between what research has shown to work in teaching math and what happens in schools and at home. This book bridges that gap by turning research findings into practical activities and advice. Boaler translates Carol Dweck's concept of 'mindset' into math teaching and parenting strategies, showing how students can go from self-doubt to strong self-confidence, which is so important to math learning. Boaler reveals the steps that must be taken by schools and parents to improve math education for all. Mathematical Mindsets:

• Explains how the brain processes mathematics learning
• Reveals how to turn mistakes and struggles into valuable learning experiences
• Provides examples of rich mathematical activities to replace rote learning
• Explains ways to give students a positive math mindset
• Gives examples of how assessment and grading policies need to change to support real understanding

Scores of students hate and fear math, so they end up leaving school without an understanding of basic mathematical concepts. Their evasion and departure hinders math-related pathways and STEM career opportunities. Research has shown very clear methods to change this phenomena, but the information has been confined to research journals—until now. Mathematical Mindsets provides a proven, practical roadmap to mathematics success for any student at any age.

• Sales Rank: #528 in Books
• Published on: 2015-11-02
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x .60" w x 7.40" l, .0 pounds
• Binding: Paperback
• 320 pages

Review
“…positive and absorbing…” (Teach Secondary, February 2016)

From the Back Cover

PRAISE FOR MATHEMATICAL MINDSETS

"Mistakes, struggles, creativity, beauty, flexibility, equity—Jo Boaler uses these words to describe a vision of mathematics where every student thrives and becomes a mathematical thinker. By following Boaler's roadmap, perhaps we can once and for all lay to rest decades of archaic and destructive notions about what it takes to be good at math."
—Cathy Seeley, Past President, National Council of Teachers of Mathematics and author of Faster Isn't Smarter and Smarter Than We Think

"Jo Boaler is justifiably tired of all the uninformed BS about math education. Too many children's lives are being harmed. In this book, she takes the gloves off and comes out fighting. Her weapon? Scientific data. Lots of it. A readable, engaging, compelling case for revolutionizing math education. Ignore her message and you (or your children, or your students) will be locked out of much of the 21st Century."
—Dr. Keith Devlin, Stanford University mathematician, NPR "Math Guy," and author of Mathematics Education for a New Era

"Jo Boaler calls out the mindsets that can cripple a student's aptitude for math and ways to change them. More than just a replacement set of positive messages, Jo's book elaborates practical, research-tested strategies for teaching, assessment, practice, and homework—all to help a student learn and love to learn mathematics."
—Dan Meyer, former math teacher, Chief Academic Officer at Desmos, author, and consultant

Scores of students hate and fear math, so they end up leaving school without an understanding of basic mathematical concepts. How can we help all children know that they have vast mathematics potential? How can teachers instruct in a way that brings this belief to life?

Drawing on her extensive research with thousands of students, author Jo Boaler reveals how teachers, parents, and other caregivers can transform children's ideas and experiences of math through a positive growth mindset method. Filled with illustrative examples, Mathematical Mindsets is an important guide to the information, techniques, and activities that can be put in place to make math more enjoyable and achievable for all students. Mathematical Mindsets shows how the entire approach to math teaching and learning—from paying attention to the math questions and reviewing the tasks students work on to the methods teachers and parents use to encourage or grade students—needs to be changed to help students realize the joys of learning and understanding math.

About the Author

DR. JO BOALER is a professor of mathematics education at Stanford University. The author of seven books and numerous research articles, she serves as an advisor to several Silicon Valley companies and is a White House presenter on girls and STEM (Science, Technology, Engineering, and Math). She is a regular contributor to news and radio in the United States and England and recently formed youcubed.org to give teachers and parents the resources and ideas they need to inspire and excite students about mathematics.

Most helpful customer reviews

63 of 67 people found the following review helpful.
The second thing that is cringe worthy is when I hear an opinion of the next best thing in education without providing ample and
By Matt F.
As a High School math teacher, I cringe when I hear two things. The first is the damaging mindset of “I am not a math person”. How is this response even acceptable in our world today? Ours is a world that is relationship driven, and math describes those relationships. The second thing that is cringe worthy is when I hear an opinion of the next best thing in education without providing ample and relevant research that backs it up – even though research abounds as to what works best in education. Jo Boaler succeeds in addressing both these areas. She attacks the damaging mindset head on by offering practical advice based in research evidence. Boaler provides a means to alter the math conversation into one that embraces confusion and error on the way to developing understanding and math proficiency.

46 of 49 people found the following review helpful.
A Must-Read!
By E.M.
A must-read for parents, teachers, and anyone involved in schools and education policy, especially as it relates to math! It's impressive how well the book addresses all these different audiences. There's not a lot of education jargon, and Boaler has plenty of relevant anecdotes to illustrate her ideas, making the book completely accessible to non-educators. There is is a good overview of the recent math education and mindset literature, without going too far into the arcane world of education research. At the same time, everything is well cited, so anyone who wants to delve into the details can flip to the references and find what they need. As a math teacher, I can say that this book really fills a void. In one readable and well-integrated volume, Boaler takes on such diverse topics as how people learn math; the importance of mindset and how it relates to math; how best to serve students at many different levels of math achievement; what math has to do with educational equity, and more.

Parents of students who are struggling in math will welcome learning about the research on math phobia and will find that Boaler provides much practical advice on how to change course.

Parents of high-achieving math students need to read this book since it provides an important counterpoint to the default of channeling "gifted" students into accelerated math tracks, often without ever giving them a chance to explore math beyond an algorithmic level. You'll have a much better idea of what you might want to advocate for in order to serve your child well through their educational career.

Anyone interested in advancing educational equity will find that Boaler has much to say about how the teaching of math has historically contributed to inequity, and how it needs to be part of the way forward.

Teachers and administrators interested in de-tracking their math programs will want to read this book because it not only provides important rationales for creating heterogeneous classrooms but also explains the comprehensive changes in pedagogy that are necessary for all students to be empowered and challenged.

29 of 32 people found the following review helpful.
There is no perfect speghetti sauce, only perfect sauces.
By K. Bond
Reading this as part of a math teachers book club before the next academic year starts.

Pros: Well written with lots of good information on the psychology of learning as it relates to mathematics (brain plasticity, growth mindsets, etc.) I really like the positive reinforcement message given here, as well as how to help students overcome some negative attitudes with respect to education in general, and math in particular. There are also some good examples of teachers and students who have had some success in inquiry based learning.

Cons: No overall big problems, but a lot of little things that detracted for me.

The author kind of likes to toot her own horn. Dr. Boaler is a subject matter expert with lots of good experience to share, but it sometimes comes off as smarmy "look what I've discovered that no one else seems to realize!" Call me cynical, but not everyone is oblivious to the issues being presented here.

I'm not sure we benefit from more of a message that math would be easier if only teachers would open their eyes to what maths really are and would teach it differently. No kidding. However, until teachers have professional discretionary judgement within their classroom, i.e., not being told what to do by politicians with political motives or administrators who have to toe-the-line with school boards, not much is going to change. Get the monkeys off my back and let me teach the math classes I want and life would be a lot better for not only myself but my students. (Granted, in that case I probably would introduce more of the techniques in this book :)

The bigger problem I have it that I'm not at all a fan of the "inquiry based education model " which seems to be advocated by this book. It is one of many systems of education that with certain teachers under certain conditions with certain students may be highly effective. But it is not a cure-all for math education reform. Much of my dislike of inquire based education is based on my own experiences with it, mostly as a student but also as a teacher without the resources to pull it off. For example, this summer I took several math classes pseudo-under-cover to try them out. I wanted to see how the material has changed since I was in class and compare what they do with what I need to do in my own classes. I found it a miserable experience. Group work was just as painful now as it was when I was "just" a student in school -- you only have a few people interested in actually doing the work, you have a few that would rather talk about pop-culture and goof off, and there is always at least one joker who doesn't care about their own grade nor bringing everyone else down with them. I'm not at all the fan of the mentality that students will not be told the material having the material formally presented to them. Maybe I'm just old-fashioned, but I kind of want a subject matter expert there to actually present the material to me and help guide me through the work, not just set up explorations for me to stumble through and never know key concepts of the material. If not for needing an official record of taking the class, a person would be better off with a library card and someone to work with.

So, I do think anyone interested in math education should pick up the book to read. It is valuable. But take some of it with a grain of salt and realize that different teachers have strengths and weaknesses, different students have different strengths and weaknesses, and when we give teachers the autonomy to teach their subject the best they can we can do wonders.

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• Sales Rank: #6875564 in Books
• Published on: 1968
• Number of items: 1
• Binding: Hardcover

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[P701.Ebook] Download PDF Small, Medium, Large and Extra Large, by Rem Koolhaas, Bruce Mau

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Small, Medium, Large and Extra Large, by Rem Koolhaas, Bruce Mau

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Book by Rem Koolhaas, Bruce Mau

• Sales Rank: #5246926 in Books
• Brand: Brand: Monacelli Pr
• Published on: 1998
• Original language: English
• Dimensions: 3.03" h x 7.48" w x 9.45" l,
• Binding: Hardcover
• 1344 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

19 of 21 people found the following review helpful.
How to pack a city into a book - Lesson 1
By A Customer
This is a dense manifesto of ideas. It might be termed a printed hypertext, with a continuous glossary of terms being defined by Koolhaas this could serve as an alternative dictionary. The book is too broad for simply architecture, urban planning theory &c. which it professes to having as its infrastructure. It deals with all design issues, from the content of OMAs projects, to the beautifully printed and assembled object that is the book itself. Attempt to read as a linear narrative at your own risk.

20 of 23 people found the following review helpful.
A Great Big Mega-Mega
By A Customer
S, M, L, XL, love it or hate it, is seminal; Rem Koolhaas is one of the most important cultural figures on the planet at this time. S, M, L, XL serves as memoir, manifesto, documentation, diagnosis, prognosis, prophecy, plan, agenda, & propoganda -- local and/or global historicocriticophilosophical montage, collage, and barrage. The book is beautiful. Bruce Mau has indeed "given form" to the silver juggernaut. The cover, the illustrations, typographies, photos, and text come together in the manner of a Tristam Shandy or Finnegan's Wake. S, M, L, XL as literature is a commentary on the condition we call "modernity". Koolhaas seeks an understanding of both his profession and the chaotic dynamics of the world his profession leaves structures in. Koolhaas is at home in the chaos, and like Pynchon in fiction, or Antonioni in film, is remarkably detached and involved in the process at the same time(maybe this is false, but Koolhaas as a writer and architect is an auteur possessed by genius, and S, M, L, XL is both comforting and uncanny at the same time). S,M,L,XL is proof that Koolhaas is aware of the increasingly global nature of the architect's profession. I am fascinated by the concept and practice of traveling, and activity Koolhaas knows all too well as a traveler in the discourse and practice of "modernity". Essays within S,M,L,XL such as "Islam After Einstein" and "Singapore Songlines:Thirty Years of Tabula Rasa" show his knowledge of the increasingly important relation between the East and West, and the implications involved. Perhaps the most brilliant essay/manifesto in the book is one of the most recently written, "The Generic City" which questions notions of progress in history and the archeology(ies) of modernism. One photo in the back of S,M,L, XL is particularly haunting in its image and message. It shows a larger-than-life and late Deng Xiaoping in the foreground of a painting of a coastal city, rais! ing his right hand gently to his people looking at the mural. The insert reads, "Two billion people won't be wrong." We'll find out. This is where much of Koolhaas' importance lies, his insight into what the great comparative historian and Sinophile Joseph Needham called the "Grand Titration". S,M,L, XL must endure, though it will not be read by the masses. It transcends (a dangerous word to use) architectural writing. Anyone concerned about the future of both the arts and sciences and those who wish to gain a greater understanding of our relation to our environment(s) must read this book.

121 of 156 people found the following review helpful.
Extra Medium...
By tierny
There's a terrific line in Breakfast at Tiffany's. George Peppard proudly hands neighbor Audrey Hepburn a copy of his just-published book. She has no idea what to do with it, so she puts it on a shelf next to a vase, backs away and says "Doesn't that look nice?"
This book is a lot like that. A self-conciously designed object for the homes of style consumers who already have the right clothes and the B&B Italia furniture. A prop for the still-life they want to inhabit. If they ever got around to "reading" it, they'd discover to their great relief... it's NOT a book to be read in any strict classical sense.

It also reminds me of a New Yorker cartoon where one associate asks another, "Read the first few pages of any good books lately?" The age of the short attention span is not going away any time soon. This hefty grey slab is easily recast as the shiny new headstone for verbalized intelligence.

As Kracauer holds it, there's nothing wrong with framing a culture via fragments, but I have plenty of qualms about advancing one's own ideas that way. And I'm suspect of ideas that trowel on style in the abundance seen here. If I could believe Bruce Mau's intentions were more than just trying to look new, (This 'look' now permeates architecture publications) I'd have more respect for this, but it was obviously calculated as a totem of style and style-suffusion.

For better or for worse, the book got noticed, the industry was distracted by the pretty surfaces and the ascent of Koolhaas is a done deal.
If you want to actually READ a book full of Koolhaas' thoughts, skip this and get a copy of Delirious New York.

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Building on the tremendous success of their best-selling Economics, Brue, McConnell, and Flynn have revised their one-semester approach in Essentials of Economics, 3e to provide a fresh alternative for the survey course. The result is a patient, substantive treatment of micro and macro topics appropriate for the introductory economics student, and fully integrated in the digital environment to provide instant remediation and feedback through McGraw-Hill's innovative assessment tool Connect Plus Economics. McGraw-Hill's adaptive learning component, LearnSmart, provides assignable modules that help students master core concepts in the course.

Connect is the only integrated learning system that empowers students by continuously adapting to deliver precisely what they need, when they need it, and how they need it, so that your class time is more engaging and effective.

• Sales Rank: #22964 in Books
• Brand: Brue, Stanley L./ McConnell, Campbell R./ Flynn, Sean M./ Grant, Randy R. (CON)
• Published on: 2013-01-09
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .90" w x 8.00" l, 2.35 pounds
• Binding: Hardcover
• 512 pages

About the Author
Sean is an assistant professor of economics at Scripps College in Claremont, California. He is the author of the international best seller "Economics for Dummies" as well as the coauthor, along with Campbell McConnell and Stanley Brue, of the world's best-selling college economics textbook, "Economics: Principles, Problems, and Policies".
An avid martial artist, Sean is a former Aikido national champion and has coached five of his students to U.S. national aikido titles.
A recurring commentator on FOX Business, ABC News, and NPR, Sean holds a B.A. in economics from the University of Southern California and a Ph.D. in economics from U.C. Berkeley, where he completed his dissertation under the supervision of Nobel Laureate George Akerlof.
Sean's research focuses on the often puzzling and seemingly irrational behavior of stock market investors, but he's also investigated topics as wide-ranging as the factors that affect customer tipping behavior at restaurants and why you see a lot of unionized workers only in certain industries.

Campbell R. McConnell earned his Ph.D. from the University of Iowa after receiving degrees from Cornell College and the University of Illinois. He taught at the University of Nebraska-Lincoln from 1953 until his retirement in 1990. He is also coauthor of Contemporary Labor Economics, Seventh edition, and Essentials of Economics, First edition (both The McGraw-Hill Companies), and has edited readers for the principles and labor economics courses. He is a recipient of both the University of Nebraska Distinguished Teaching Award and the James A. Lake Academic Freedom Award, and is past-president of the Midwest Economics Association. Professor McConnell was awarded an honorary Doctor of Laws degree from Cornell College in 1973 and received its Distinguished Achievement Award in 1994.

Stanley L. Brue did his undergraduate work at Augustana College (South Dakota) and received its Distinguished Achievement Award in 1991. He received his Ph.D. from the University of Nebraska–Lincoln. He is a professor at Pacific Lutheran University, where he has been honored as a recipient of the Burlington Northern Faculty Achievement Award. Professor Brue has also received the national Leavey Award for excellence in economic education. He has served as national president and chair of the Board of Trustees of Omicron Delta Epsilon International Economics Honorary. He is coauthor of Economic Scenes, Fifth edition (Prentice-Hall), Contemporary Labor Economics, Seventh edition, Essentials of Economics, First edition (both The McGraw-Hill Companies), and The Evolution of Economic Thought, Seventh edition (South-Western).

Most helpful customer reviews

0 of 0 people found the following review helpful.
Well-written and easy to understand
By djasco
Well-written and easy to understand. The authors provide current and notable events that complement the subject topic for better understanding and application.

0 of 0 people found the following review helpful.
student
By scholar100
This book is essential for any student in an MBA program in Economic or Management. It loaded with valuable information.

0 of 0 people found the following review helpful.
Great Book
By Debra Robertson
Great Book, perfect for my course

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